I think I miss blogging? I feel annoyed when I look back at the date of the last post here, and know all the interesting stuff that happened since. I moved across the country, for example. Twice. And there was a wee pandemic. But outside of my journal (kept daily, religiously), no record of my thinking, my influences.
I also miss the attentiveness it cultivated in me, when that flow was at its best. I gave a little extra consideration to what I was taking in. The intake hasn’t really slowed. But the processing and reflection, that background hum (“hmmm I might share this”) tapered off. I miss it.
So… yeah, I’m thinkin’ I’m back. We’ll see how it goes.
The effect is something like an absurd and endless syllabus, constantly updating to remind you of ways you might flunk as a moral being.
Glad to see someone writing about one of my least favorite descriptions for art.
This usage seems to gesture everywhere but at the art itself, both as an admonishment to the audience and an indictment of the world that has begotten the themes contained in the work being discussed.
George Saunders is a gem.
There’s this theory that self-esteem has to do with getting confirmation from the outside world that our perceptions are fundamentally accurate. What Doug does at this meeting is increase my self-esteem by confirming that my perception of the work I’d been doing is fundamentally accurate. The work I’ve been doing is bad. Or, worse: it’s blah. This is uplifting–liberating, even—to have my unspoken opinion of my work confirmed. I don’t have to pretend bad is good. This frees me to leave it behind and move on and try to do something better.
My Writing Education: A Time Line – The New Yorker
English is a mutt and it’s the best thing. I love dives like this, into the history of a language. Well, at least this one.
Why is English so weirdly different from other languages? by John McWhorter — Aeon
I also think if you’ve got writer’s block, you don’t have writer’s block. You have reporter’s block. You only are having trouble writing because you don’t actually yet know what you’re trying to say, and that usually means you don’t have enough information. That’s the signal to walk away from the keyboard, think about what it is that you don’t really know yet, and go do that reporting.
My father was really, really the author of my particular personality. He gave me a million different pieces of advice, but one that comes up all the time is: Anything that can be fixed with money isn’t worth crying over.
The New Yorker’s Susan Orlean on the magic and mystery of writing
The word “yes” is an extremely dull way to express the varied sentiments of “yes.”
Why Everyone’s Saying ‘YAAAAAASSSSSS’ Now
But here’s the thing: people will draw conclusions about your motives based on your timing and your chosen vehicle.
Ten Short Rants About #GamerGate | Popehat
In a study of more than a million Yelp restaurant reviews, Mr. Jurafsky and the Carnegie Mellon team found that four-star reviews tended to use a narrower range of vague positive words, while one-star reviews had a more varied vocabulary. One-star reviews also had higher incidence of past tense, pronouns (especially plural pronouns) and other subtle markers that linguists have previously found in chat room discussions about the death of Princess Diana and blog posts written in the months after the Sept. 11 attacks.
In short, Mr. Jurafsky said, authors of one-star reviews unconsciously use language much as people do in the wake of collective trauma. “They use the word ‘we’ much more than ‘I,’ as if taking solace in the fact that this bad thing happened, but it happened to us together,” he said.
Another finding: Reviews of expensive restaurants are more likely to use sexual metaphors, while the food at cheaper restaurants tends to be compared to drugs.
Decoding a Menu at Root & Bone – NYTimes.com
Not only did “problematic” become popular because it suits identity politics and sounds smart, it’s also highly shareable. “Problematic” bundles urgency, seriousness, and debatability into a single vague word, which is great for both sound bytes and tweets.
The Internet Has a Problem(atic) – The Awl
“Against [X]” is often not just an effective rhetorical form but also a canny career move: against X as an implicit argument for the polemicist.
Against “Against [X]” – The New Yorker
Advice columns for men, however, seem not to have made the leap from proscriptive notions of rectitude to the smart-older-sister vibe of advice for women. In GQ and Esquire and even Maxim, which are full of Q&A-format advice for readers, situations are often posed in a joking tone and answered as if the writer were the dude from the Dos Equis commercials and the ultimate ethical standard is masculinity rather than humanity. “How to be a man” literature is the new conduct literature: it’s not that men haven’t cared about ideals of masculinity before now, but the idea verges on obsession these days, cf. everything from Shia LaBoeuf’s resignation note to the fact that someone greenlit How to Be a Gentleman. It’s a whole genre and evidently a popular one—but, while advice columns are the delicious and healthy snack of things to devour on the Internet, it matters for men and women alike that advice columns for men evolve, not by abandoning their gentlemanly tone but by choosing the right questions to answer.
That’s one reason why I read waaaaay more of Carolyn Hax than anything in men’s magazines.
The Cold Stoicism of Advice Columns for Men