directing
61 posts
- Robert Eggers, Director of ‘The Witch,’ on the Horror Right in Front of Us | | Observer
- Storyboards for Heat
- Buster Keaton – The Art of the Gag
- On The Knick Set With Steven Soderbergh, Binge Director
- Delmer Daves’ drawings for 3:10 to Yuma
- Composition No. 62 from Rear Window
- When you’re an actor, you can act on your own
- Reading Amazon reviews of Magic Mike
- The Cine-Files » THE TINNITUS TROPE: ACOUSTIC TRAUMA IN NARRATIVE FILM
- Blackhat and the Return of Michael Mann - MensJournal.com
- Stills from Thief
- In the Cut, Part I: Shots in the Dark (Knight)
- MOONRISE KINGDOM: Wes in Wonderland
- Michael Bay: What is Bayhem?
- The less money you take, the more freedom you have
- Comedy thrives inside a fixed frame
- Zen Pulp
- The Grand Budapest Hotel and the 4:3 format
- I get that same queasy, nervous, thrilling feeling every time I go to work
- Shooting a movie is the worst milieu for creative work ever devised by man
- The Mega-Death of Summer Movies - Richard Lawson - The Atlantic Wire
- Girls on Film: Before Midnight and one of cinema’s most dynamic women
- Cinema du WTF – UPSTREAM COLOR (Shane Carruth 2013) – Bright Lights After Dark
- The Thoreau Poison: Shane Carruth's 'Upstream Color' : The New Yorker
- Days of Heaven screencaps
- I called around and managed to get a lot of expired stock donated
- Haywire’s Body Talk | cléo
- Visual framing in Tarkovsky’s Stalker (1979)
- Two Clowns on Tarkovsky
- Captain America: The First Avenger
- Zoe’s Desk | Submitted For Your Perusal
- Bright Lights Film Journal :: The Complex Art of Murder: On The Talented Mr. Ripley
- 'Ocean's Twelve' Is a Great Sequel About How Hard It Is to Make a Great Sequel | Criticwire
- In Conversation: Steven Soderbergh -- Vulture
- A Brief Remark on Zero Dark Thirty « The Pinocchio Theory
- Badlands: An Oral History: Movies TV: GQ
- Longform Articles Tagged 'making of movies'
- 30 Things We Learned from the ‘Thief’ Commentary | Film School Rejects
- The Eastwood Conundrum - Esquire
- The Outlaw Josey Wales
- On PUBLIC ENEMIES. Part I: Charles Winstead, Mann’s Man « Cinema Truth
- MELANCHOLIA or, The Romantic Anti-Sublime | SEQUENCE 1.1 (2012)
- Directors of the Decade No. 9: The sensualists - Salon.com
- Millsin' About: Jiro Dreams of Errol Morris
- Kubrick // One-Point Perspective
- Observations on film art : Unsteadicam chronicles
- Steven Soderbergh Is Better Than You Think He Is « The Third Meaning
- Thieves and Enemies
- Drive: Yellow light, red light, blue light, pink light - scanners
- Scott Higgins, Thinking Cinematically: Stallone, Expendables, and Color Today
- “Drive”: Memory Lane « The Third Meaning
- Does Wes Anderson hate dogs?: The New Yorker
- Wes Anderson’s Arrested Development
- The first two or three minutes of any film are amazing
- My notes from Terry Gilliam’s 10 lessons
- The Spielberg Face
- Steven Spielberg's complete movies: I've seen every one, and I almost wish I hadn't - Slate Magazine
- When I begin working on a film, it’s like standing on shaky ground
- Eric Stoltz Was the First Marty McFly
- Sergio Leone: Unrealized Projects - Wikipedia
- “If you pan & scan Lawrence of Arabia, you lose the desert.” (via kottke)