I’m not of the opinion that a film absolutely needs to have a clear moral framework to have worth, but I do believe that making a film is a moral act. Even if the filmmakers pose questions to which they give no answers, the formulation and presentation of the questions themselves are loaded with a moral reasoning.
The Big Sick. Funny, bittersweet rom-com. I should probably watch more comedy. Shout-out to Romano and Hunter. So great in their roles.
First Reformed. I dig it. Some great performances. I never knew what direction it was going to go.
The “time” just provides a framework to allow you to get to a place where it’s going to be hard. If you just did it casually, it would be much more comfortable, and I don’t think it would be as transformative or profound, on a personal level.
So, I use the “time” as a beacon, or a motivator—whatever you want to call it—not to break a record, but more like if you challenge this time, it’s going to get you to a place where it’s going to be uncomfortable and hard and … you’re going to learn something.
Really loved that bit of Joe Grant’s Nolan’s 14 interview. It captured one reason a lot of my hikes turn out the way they do. I like being outdoors and have a few regular haunts. But sometimes I can’t talk myself into getting out until I have a “gimmick”, I call it. Some silly goal. Can I do 40 miles in a day? What’s it like to hike an all-nighter? Can I cover X distance in Y hours… with no running allowed? What if I hiked the same 3-mile loop until I lost my mind? So I put myself in these odd situations, and at times I’ve found myself 20 miles out from the trailhead, thinking, “Well, 20 miles to get back home. The only way home is to put the hours in… so might as well get on with it.” I go through all these emotional roller coasters and eventually there’s a certain peace that comes along, but only after I’ve really stretched.
Heat. Up to 7 or 8 viewings now? (Filed under: Heat). Caught a few more “time” references this go-round. Hanna’s wife offers him coffee before he heads out – can’t, no time. The daughter’s anxiety attack is about being late for her father. And of course the parting shot when Hanna meets with the snitch. One other minor thing: the Pietà statue at the hospital at the beginning of the movie is echoed by our protagonists at the end. I might have to call this my favorite movie.
Roma. It is a seriously beautiful but I left frustrated. In several emotional, daunting, or stressful moments the camera drifts away from our protagonist to just sort of take in the scenery. In form, it seems like it… doesn’t care? She’s a bit of a cipher. Perhaps that’s the point, and the broader time and place is what we’re meant to understand. You can see the climax coming a mile away. I like the water imagery, but the astronauts even more.
Harry Potter and the Sorceror’s Stone. What a delight. These movies could have gone off the rails in a million different ways, but they really came through. Somehow I felt the ~magic~ in this one, like literal gasping. So fun. (Side note: this came out 17 years ago???????)
Logan. I had sworn off superhero films for a while, needed a break. This was a solid re-entry. And a relief to see a superhero film that’s not a direct sequel, and also not an origin story. Hard to see a hero so thoroughly vulnerable. Really fun limo chase.
Deliverance. Pretty incredible movie. I like the sound work, the atmospherics. Young Jon Voight here reminds me of a young version of my dad (minus the rock climbing). Man vs. wild is just another name for man vs. man. 🤔