Back to work, back to normal! The new normal, anyway. It felt weird and good to be back in an office, getting used to small-talk, catching up on all the people and progress I'd missed. A big, big change from the pattern of the last couple months. I'd felt all wound up an anxious on the lead-up, and I left the house with tears, but came back happy. Change is good.
I had a bit more flexible time earlier in the week, so I did a couple coding projects that have been on my list for a while...
For the first one, I've had an ongoing project to keep track of which NYC subway stations I've used – either entering, exiting, or transferring. I keep track on a big poster and circle the stations with a Sharpie. I wanted something where I can record in the moment, too, so I created an iOS app where I can pull up the station and check it off. (Now that I've got that infrastructure in place, I think I'll add similar for Atlanta, LA, SF, and other cities where I've already made good progress...)
For the second, I added a new movie log page for this site. I knew I'd seen and written about a lot of movies in the time I've had this blog, but I didn't know the total was almost 1100 now! The movie log links to my original write-ups, such as they are. I also started a very loose star system – none, one, or two stars – to indicate the special films that I hold my attention more than others. Still a fair amount of backfill to do there, but I like where it's headed.
"Don't give up until you're proud."
Books
The Hard Way. I'm really stringing out these last few dozen pages...
Running
Another fallow period! It happens.
Around the Web
When toys become things to preserve instead of play.
"Nothing is boring in America. Go—go—and see it all."
Women Used to Do All the Cooking. Some Men Are Flipping the Script.
Be grateful for home-cooked meals.
Why example.com looks different now!
Music
Poulenc: Stabat Mater; Gloria; Litanies à la Vierge noire (really liked) and Poulenc: Concerto pour orgue; Concert champêtre (it's fine).
Daði Freyr, Too Much Not Enough & Then Some. Clean and polished vocal-forward club music. It's fun. The country/western spin in "With You" was a nice surprise. Generally appreciate the more wistful ones – "Beautiful Day" and "Is That Seat Taken" are good for me.
Mozart: Piano Concertos K175, 449, & 466. It's Mozart, soak it up, the floor can only go so low.
Andy Ahiko, Sandbox Percussion, Seven Pillars.
Movies
Angels & Demons. I think I like it more than The Da Vinci Code, more grounded, but still a good brain-off watch.
Influencers. The first Influencer was fun, and this one keeps it going. Expands the world in thoughtful ways – a manosphere dude, an Insta-model / alt-right paranoiac – while staying connected to the interiority of the characters we already knew. A sequel done well.
Ocean's Twelve. Another worthy sequel, gently propulsive, one of those you might catch on a hotel TV and stay inside just a bit longer than you intended.
TV
So much TV this week!
East of Eden, s1e1. I'm intrigued!
WandaVision, s1e7. Spinning our wheels just the slightest bit? Funny how it was so easy to pick out quirks of previous decades but large parts of this one "just look like TV". Curious to see where we go with Agatha.
Over the Garden Wall, s1e3. I like all the music in this one. Feels like this show just follows its weird little daydreams, in the best way.
Teen Titans, s1e1. Much slower than I expected! Thought it might be more energetic, but seemed like a lot of dead air. Maybe if I were more familiar with the characters beyond Robin and Cyborg.
Pucca, s1e1. Lively and dynamic animation, very refreshingly brisk. But the title character, she does ~nothing for me. There's a reason we don't see Pepé Le Pew anymore!
Batman: Caped Crusader, s1e1. Really like how they modernized the animation while keeping all the noir / expressionistic style from Batman: The Animated Series. A season-long arc and reimagined villains have piqued my interest...