Carrie

Carrie. Last time I saw this was middle school I think. Long time ago. So sad, wrenching. We remember the mad scene for good reason, but build-up to it at the prom is exquisite.

It Comes at Night

It Comes at Night. It’s great! Movies like this remind you of what a simple, almost primal pleasure it is just to watch how light fills and moves through a dark place. I also like that it doesn’t bother with answers about the general state of the world, and doesn’t waste time with half-hearted attempts. People seek and accept what’s practical, and move on. Backstory is irrelevant to a degree. The red door in the house – like a church, perhaps? I’ve really come to love this survival-cabin subgenre. Other recent ones that are worth a look: 10 Cloverfield Lane, Into the Forest, Z for Zachariah. What else?

Robert Eggers, Director of ‘The Witch,’ on the Horror Right in Front of Us | | Observer

“Because modern horror is usually this masochistic titillation bullshit, a lot of people in interviews will tell me [The Witch] is not a horror film, it’s a psychological suspense thriller with supernatural elements,” he said, putting on a tone of faux-snobbery. “And I’m like, ‘O.K., that’s cool.’ But then fucking Edgar Allan Poe isn’t horror, either. “What’s important to me about horror stories,” he continued, “is to look at what’s actually horrifying about humanity, instead of shining a flashlight on it and running away giggling.”

Robert Eggers, Director of ‘The Witch,’ on the Horror Right in Front of Us | | Observer