The piles of stuff we might need someday are an argument that we will always be around to need them. The plans to revisit those photos and take up again that course of study, the books we fully intend to finally read assure us that there will be enough time to do so. Mementos presume the ongoing existence of a rememberer. Yes, all of that is a lie, but it’s a necessary lie. And all the joy in the world can’t really compensate for having to let that go.
There’s a nefarious, Mobius strip quality to “sneaky feminism” as a piece of rhetoric. If the point of using it is to satisfy readers that the product in question is ideologically sound, but also chill (Lean in! Not too far!), then this ostensible attempt to make feminism palatable is rather anti-feminist, if sneakily so. That’s because one of feminism’s foundational goals has always been to release women from their disproportionate obligation to show tact, delicacy, and sweetness—to say their piece without being aggressive or annoying about it. Yet we’re asking feminism itself to shimmy through a window and creep down a corridor dancing between laser beams before whispering its claims in the cultural ear.
Only on special “it’s such a nice day!” kind of days do people want to go outside. But what’s a nice day? Well, it’s a day when the temperature outside approximates the results of indoor climate control technology.
Marriage these days signals that you’ve figured out how to be a grown up. You’ve played the field, backpacked Europe, and held a bartending gig to supplement an unpaid internship. You’ve “arrived,” having finished school, settled into a career path, bought a condo, figured out who you are, and found your soul mate. The fairytale wedding is your gateway into adult life. But in my experience, this idea about marriage as the end of the road is pretty misguided and means couples are missing out on a lot of the fun.
The hillbilly figure allows middle-class white people to offload the venality and sin of the nation onto some other constituency, people who live somewhere—anywhere—else. The hillbilly’s backwardness highlights the progress more upstanding Americans in the cities or the suburbs have made. These fools haven’t crawled out of the muck, the story goes, because they don’t want to.