John Wick: Chapter 3 – Parabellum

John Wick: Chapter 3 – Parabellum. It was good. I consider myself a big enough fan of the franchise that I know I’m probably grading on a curve, but I think “good” is accurate. I feel like the world is getting a little too big. Too many characters. This world of assassins used to feel more sneaky and underground, now it feels ubiquitous. There were too many coins being slipped across tables followed by meaningful eye contact. Halle Berry had a nice turn. Laurence Fishburne continues to be simply the best at… speaking… words. Love the final pitched battle gimmick: dudes with so much body armor they keep reviving like zombies. If you can’t send infinite waves of infantry, make them recyclable. John Wick riding horseback through the city at night is very much my shit.

Marlina the Murderer in Four Acts

Marlina the Murderer in Four Acts. The old lonesome house, and our weary protagonist, reminded me of Unforgiven. So much western goodness: Leone-esque desert wah wah guitar, church bells, lonesome trumpets; lone figures in a heat-rippled landscape; swords at the ready at the hip or hand like pistols, or resting across a saddle. Interesting gender themes: entitlement, absentee parents, naming children, pregnancy rumors and shaming. Birth scene seems an echo of early trauma. See also: Revenge, MFA, A Vigilante, Kill Bill: Vol. 1, Kill Bill: Vol. 2, etc..

Wonder Woman

wonder-woman

Wonder Woman. Watched on a flight, which is the perfect environment for quietly sobbing at moments of goodness. The origin story can be so tired, but I just loved the moral heart of this one. The No Man’s Land scene is perfect (and well-named…). Dr. Poison is such a great villain. I loved the make-up and sly creepiness and the hoarse voice. Wish she had more to do. The line “It’s not about deserve… It’s about what you believe.” – such a great scene – got me thinking about William Munny. “Deserve’s got nothin’ to do with it.”

Crazy Rich Asians

Crazy Rich Asians. Family drama! Family over mere passion mentioned several times. I like the loving attention to food, and flowers. Interesting that the soundtrack featured so many Asian-language covers of American songs, rather than local originals. I like the reclaiming of the Apocalypse Now helicopter/Wagner scene. Our hero Nick kinda drove me a little nuts with the constant smiling (reminded me of Jean Dujardin in The Artist). Gotta admit I love a good wardrobe change montage – they get me every time. I wonder if there’s some meaning or symbolism that went over my head during mahjong game, specifically the bamboo 8 tile. At the least, an echo of the early poker scene (“playing not to lose”).

Free Solo

Free Solo. Super invigorating. Yeesh. I can’t imagine. There are times I’ve gotten a little bit nervous about moves on a 15ft bouldering wall. I didn’t realize he had a girlfriend at the time of filming. The feat itself was amazing, but what made the movie good was those peripheral relationships. How people around him were stressing out, trying to be supportive without pressuring and without losing their minds. Saw this one on a long flight. Other outdoorsy movies I’ve seen on flights: Wild, 127 Hours.

Star Wars: The Last Jedi

Star Wars: The Last Jedi. Second viewing (the first). The opening bombing run is really good. I’d forgotten about it – holds up on rewatch. The casino interlude is so, so dumb. I appreciate the visual contrasts in the salt planet battle. Not just the colors, but the scale, like with Finn’s tiny figure juxtaposed with the gigantic tanks in empty space. We need more like that. So many close-ups. Love the tortured silence of Kylo Ren. So depressed, a mindset to just let it all go, burn it all down. Broader theme here of how brash, seat-of-the-pants heroism is often foolish. The writing still strikes me as bad in many spots. I didn’t notice the first time around how the kid Force-pulls himself a broom at the end.

Us

Us. I didn’t love it, but liked it a lot and it’s grown on me since. There’s so much to dissect and analyze, which is fun, but better to just stew in it and let it creep you out. Jordan Peele has such a vision. I hope he’s making gobs of money and putting into new work. Get Out is also a treat.

Mandy

mandy

Mandy. Psychedelic revenge horror. This was a little too drawn out for me. You’re just immersed in suffering. But its mood and wholeness was great. The woozy rainbow colors and lens flare (like Annihilation), the washes of color. Excellent soundtrack – I’ve been using it for work music ever since.

Eighth Grade

Eighth Grade. I largely can’t relate to this, because I think I was mostly too oblivious in middle school to feel terribly awkward or unfit. The movie is still great, though. Loved the use of the soundtrack, emphasizing the cuts and subjectivity. Great closing speech at the end. Not eloquent but heartfelt, which is maybe better.