My fiancée was out of town all week, so in her absence, I went into full goblin mode for a few days. 😈 By the time we got to Wednesday morning, the thrill was gone!
Art
This MoMA overview of Henri Matisse’s cut-outs is really cool. I learned his transition into “drawing with scissors” was partially a desire for speed: easier to edit a painting, or just cover a larger space, by slapping some paper on the wall.
Running
On Tuesday night I did Bakline’s open-course race from Brooklyn to Manhattan. Short and sweet, good times. (Dave Hashim took some great photos.) Funny to realize I’ve been in NYC for two years, but only just now ran in Manhattan at night. Nighttime running was my default in Atlanta and LA, but somehow fell out of it. I need to get back!
Nice long run out to Sunset Park on the weekend. I love the Brooklyn Tower looming in the skyline like the Eye of Sauron (on the right). Squeezed in some trailrunning, too – also need more of that.
Articles & Episodes & Twoots
Nobutaka Aozaki made a large map of Manhattan, assembled from on-scrap directions from strangers. (via)
Wikiflix is a nice UI for movies that have ascended into the public domain. Amazing what a smidge of design polish can do to sell the product.
“OLLOS is an experiment that organizes everything in my personal computing environment on one unified timeline.” I really like this experiment, one big river of items to flow through.
“Montaigne turns your Apple Notes into a website.” Like the above, I like this personalization of computing. It’s going to be so cool to see how this trend develops, as the bots make it easier to PM something useful for yourself.
There is a downside to the “TGIF” mindset – be careful about wishing your life away!
“‘There’s no sound I don’t like,’ Aissam said, with the help of interpreters during an interview last week. ‘They’re all good.'” We can heal forms of deafness with gene therapy. The next decade of medicine is going to be incredible.
But on the other hand… “I worry that one of America’s superpowers is to spin up yarns to reduce the urgency for action.”
A story of a hate crime in a local park caught my eye this morning. I had a similar experience when I was out for a run at some point last year. (I got some homophobic slurs / violent threats when I dared to run with… running shorts?). No identity harm for me, and didn’t really feel physically at risk. But nonetheless I was really shaken/sad/angry/baffled by the malice. Mercifully, I’ve had a briefer experience than the victim in the story, and one with none of the fallout that family has had. But I can relate to the jumbled feelings in the wake. Can’t imagine what it’s like when that’s a normal risk in your daily experience.
Music
Dido & Aeneas is one of my favorite operas. The songs that close Act III – “When I am laid in earth…” / “With drooping wings…” – are rightfully celebrated. Beautiful stuff. But on this recording from Nuova Musica, the dance / “Often she visits…” section really caught my ear. I love the period instruments, and the recording is so spacious.
Learned about Jah Division from a running buddy – Joy Division covered in reggae/dub form. “Fu Manchu Dub” is a good one.
I’ve gone through the same pattern with just about every album in the Radiohead family tree:
1. Okay…
2. Hmmm I dunno…
3. Hold on a minute…!
4. Okay I love it. :)
From The Smile’s latest album, the early fave is “Teleharmonic“. We’ll see how things change on replay after replay.
I’m going to see André 3000 & flute-friends in concert soon. 😎
Movies
Due to the aforementioned goblin mode, took in quite a few this week.
Kimi is a perfectly solid 90-minute thriller. What jumped out on rewatch is the perfection of the corporate exec role – sympathetic and instantly suspicious.
The Creator has very cool sets and setting, and I’m always open to more philosophical scifi. “Everything In Its Right Place” is a sick needle drop, the way it fills the ears. I remain frustrated that John David Washington has such a compelling presence and charisma, but scene to scene, in every movie, my trust in the acting waxes and wanes. :/
Scream 3. It’s total nonsense, in a good way. Like a soap opera, maybe. Hone in on a few elements, dial them up. Appreciate that all of these movies explore trauma exhaustion, the film industry, the press, bloodthirsty audiences, toxic fandom, etc..
Barbie. Wonderfully inventive and vivid… and repeatedly stalls out for talking points. And a little too much Ken, for my taste? Found it dazzling and frustrating, and I wonder what a shorter, zippier cut would feel like. Cast was great, and I really, really hope we see more movies with stylized sets and practical effects like this. The artifice can be so invigorating. Loved the the staginess and visible seams in Anderson’s Asteroid City and Roald Dahl adaptations, for example, and the spare spaces in Coen’s The Tragedy of Macbeth.
The Kid (1921). My first Charlie Chaplin. A clean 54 minutes. Sentimental, filmed with a doting smile on the lens. Fun to see signs in Spanish in old Los Angeles. But wild to see a major city in shambles, all those dirt roads, and even the average/nicer areas looking shabby. People who long for the days of yesteryear should spend more time looking at old film and photos. The past sucked!
Flashdance. I remain fascinated with Pittsburgh, where this movie takes place. Probably the never-visited US city I’m most curious about. Anyway, this is perfectly overstuffed plucky-striver fun. The musical x gritty Midwestern industrial crossover here makes me itchy for a Streets of Fire rewatch. “This is one of those movies that goes for a slice of life and ends up with three pies.” – Ebert says it like it’s a bad thing!
Phoenix (2014). Somehow Saturday afternoons have become my time for quiet European drama. Here we have a Holocaust survivor, the only surviving of her family, recovering from a major reconstructive surgery, and reluctant to leave the country to start over in Jewish sanctuary cities. She remains in Berlin in hope of finding her husband, who had likely turned her over to the Nazis. They meet and we see their relationship transform. It’s really good. This is the middle of a thematic trilogy from Christian Petzold – Barbara and Transit are also excellent. I’ll be watching more from him.
TV
Miami Vice, s1e9, “Glades“. Don’t know where to begin here, it’s so strange, with our heroes doing guerrilla warfare in the swamp. But it had me thinking about the value of TV built for commercials: you get a break!
Mark Larson 