Rogue One: A Star Wars Story

Rogue One: A Star Wars Story. It’s not perfect, and I’m a little annoyed that they’re still making these… but, now that they are, I think this is the kind of story I’d like to see more of. Sort of putting some shape around the original 6-episode arc rather than extending it. I wish it were more melodramatic. Also a wee long and kind of a bad script? Dumb fan service (I assume we’re due for lots more) and the CGI Tarkin and Leia are huuuuuuge mistakes. Still, seeing Mendelsohn, Mikkelsen, and Whitaker in the same movie? What a treat! Much, much better than The Force Awakens. Filed under: Star Wars.

Nerve

Nerve. So fun! Saw it on an airplane. Got such great zip and momentum and soundtrack. It loses some of that momentum as the stakes rise, but minor fault. Worth a watch. It took me forever to realize why Emma Roberts and Dave Franco each looked so familiar even though I knew I’d never seen either one before.

Close-Up

Close-Up. I decided to dig into some Iranian films this year. This one is based on a true story where a guy convinces a family he is a famous director and wants to use them in his film. He is found out. This movie re-tells the story… using those same people as the actors. One of those movies where talking about it afterward was more interesting than watching it, but still compelling crazy stuff. The only other Abbas Kiarostami I’ve seen is Certified Copy, and it was marvelous.

No Way Out

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No Way Out. Really fun, really twisty, really ’80s. I like this version of Costner – slick as hell, and in deep shit. I wish Sean Young’s character had a bit more going for her. Gene Hackman is one of those actors who does so well playing gross people I have to remember that and counteract it.

Interstellar

Interstellar. As much as I whine about Christopher Nolan films, he’s got some gifts. My experience the second time around was almost the reverse of my first viewing: I was feeling the family story, and the epic space adventure had me twiddling my thumbs. I need an alternate cut of this movie that removes the “let’s explain the science” interludes. Just gimme the melodrama. The heightened emo stuff just wrecked me.

Frailty

Frailty. A father reveals to his sons that God has called them to kill demons. I really like the use of sound in this one, the full range from silence to full intensity at just the right moments. Also some smart visuals, like how we see humans get killed, but when demons are destroyed, we don’t. It doesn’t give away the truth, because it’s not the point.