Son Of Strelka, Son Of God (Narrated by Obama) – A Free Audio Story

Bit by bit I’ve dissected Obama’s self-read autobiography into thousands of very short phrases, usually one to ten words or so, and have used these snippets to tell a completely different story from the original. I’ve then set the story to music. The story is called Son Of Strelka, Son Of God. Broadly speaking, it tells the story of an ugly dog-faced demigod who recreates the world after it is destroyed. It’s about thirty minutes long, and lies in some weird grey area between audiobook and electronic music.

Wow. More in Slate.

Son Of Strelka, Son Of God (Narrated by Obama) – A Free Audio Story

There and Back Again: The Soul of the Commuter – The New Yorker

Last year, Midas, the muffler company, in honor of its fiftieth anniversary, gave an award for America’s longest commute to an engineer at Cisco Systems, in California, who travels three hundred and seventy-two miles—seven hours—a day, from the Sierra foothills to San Jose and back. “It’s actually exhilarating,” the man said of his morning drive.

There and Back Again: The Soul of the Commuter – The New Yorker

Pitchfork: Columns: Why We Fight #15

Making pop music– more than almost any other art– sits right at the intersection between being yourself and finding something better than yourself to be. This, in the end, is what we’re looking for: Someone who can devise some fantastically compelling version of herself to act out, while still seeming as if she’s… being herself. Musicians are expected to write a great part and convincingly act the role at the same time. And even after that, we’re not really judging them on how compelling the identity they’re offering us is– we judge them based on which types of identities we personally need or aspire to at the moment. There is no identity politics quite as nuanced or complicated as people arguing about music.

Nitsuh Abebe kills it every time.

Pitchfork: Columns: Why We Fight #15

Portrait Of The Bagel As A Young Man

Bike messenger, gallery assistant, office temp. I took these jobs to make money, but there was also an aspect of penance to them. I don’t know exactly for what sin I was repenting. Maybe the sin of having gone to graduate school for writing. On some level, I saw these jobs as a kind of Karma insurance. It was a way of testing myself: You want to be a writer? Can you handle this? How about this?

Portrait Of The Bagel As A Young Man

Fake Prada Bags: Why counterfeits help high-end designers sell more of the real thing.

austinkleon:

murketing:

When most people think about the effect of counterfeits on legitimate brands—and when brands themselves litigate against counterfeiters—they focus on the “business stealing” effect: Every fake Prada handbag represents a lost sale for Prada. A dirty little secret is that Prada rip-offs can also function as free advertising for real Prada handbags—partly by signaling the brand’s popularity, but, less obviously, by creating what MIT marketing professor Renee Richardson Gosline has described as a “gateway” product. For her doctoral thesis, Gosline immersed herself in the counterfeit “purse parties” of upper-middle-class moms. She found that her subjects formed attachments to their phony Vuittons and came to crave the real thing when, inevitably, they found the stitches falling apart on their cheap knockoffs. Within a couple of years, more than half of the women—many of whom had never fancied themselves consumers of $1,300 purses—abandoned their counterfeits for authentic items.

Fascinating.

I imagine it’s hard to let go of a that signaling power, especially when, over the time of ownership, you’ve begun to see yourself less as a sneaky-counterfeit-buyer and more as a apparent-Prada-owner. See also Why Elite Shoppers Eschew Logos.

Fake Prada Bags: Why counterfeits help high-end designers sell more of the real thing.

Ranking Baseball’s Best Ballparks – NYTimes.com

The winner by a country mile is Pittsburgh’s PNC Park. More than 80 percent of reviewers gave it the top, 5-star rating, and its average score was 4.77 points. It is followed by Boston’s Fenway Park (4.59 stars), San Francisco’s AT&T Park (4.57), Minneapolis’ Target Field (4.53), and Baltimore’s Camden Yards (4.47).

I have a suspicion based on zero personal experience that Pittsburgh is one of America’s secretly great cities.

Ranking Baseball’s Best Ballparks – NYTimes.com

‘The Hangover’ and the Age of the Jokeless Comedy – NYTimes.com

In Apatow, the enemy is adulthood, which ruins life; in Phillips, the enemy is women, who ruin men.

What these auteurs truly have in common, though, is that they have systematically boiled away many of the pleasures previously associated with comedy — first among these, jokes themselves — and replaced them with a different kind of lure: the appeal of spending two hours hanging out with a loose and jocular gang of goofy bros.

‘The Hangover’ and the Age of the Jokeless Comedy – NYTimes.com

Self-Direction « RyanHoliday.net

Think about how easy it has to have one more—to go beyond what you allowed yourself and have one more piece, one more glass, one more handful. And yet, think about how much harder it is to do one more—one more lap, one more page, one more hour, one more rep than you intended. There’s always rationalization on hand for the one and an convenient excuse ready for the other.

This is timely.

Self-Direction « RyanHoliday.net

The Kindle abroad « Snarkmarket

Even if you are not ever going to read an e-book, but want a device to help you stay connected and organized while traveling—especially if you’re going a bit off the beaten track—the investment in a Kindle (barely more than a hundred bucks at this point) can’t be beat.

Hadn’t considered it before, but this makes a lot of sense.

The Kindle abroad « Snarkmarket

stevenberlinjohnson.com: Go West, Middle-Aged Man

When you’re in your routine, frequenting the same old haunts, time seems to accelerate – was it just four years ago that our youngest son was born? But all the complexities of moving – figuring out where to live, getting there, and then navigating all the new realities of the changed environment – means that the minutes and hours that once passed as a kind of background process, the rote memory of knowing your place, suddenly are thrust into your conscious awareness. You have to figure it out, and figuring things out makes you aware of the passing days and months more acutely. You get disoriented, or at least you have to think for a while before you can be properly oriented again.

So that is why we are moving: for the natural beauty, yes, and the climate, and the Bay Area tech scene, and the many friends out there we haven’t seen enough of over the past twenty years. But more than anything, we’re moving to slow down time.

stevenberlinjohnson.com: Go West, Middle-Aged Man

A Fleet of One: Eighty thousand pounds of Dangerous Goods – The New Yorker

The most beautiful truck on earth—Don Ainsworth’s present sapphire-drawn convexing elongate stainless mirror—gets a smidgen over six miles to the gallon.

In a nice moment of literary convergence, I finished this awesome essay by John McPhee while taking a break from the photography book Truckers. Creative Loafing did a nice interview with writer Mary Richardson. It’s a whole different world.

A Fleet of One: Eighty thousand pounds of Dangerous Goods – The New Yorker