The Fugitive

The Fugitive. Had a good time live-tweeting this one. Holds up really well. Favorite thing I noticed this time around was how Ford’s wardrobe changes with his status in the story. He starts in a tux, then a suit, then jail uniform, then dirty coveralls, then clean coveralls, then a military jacket, and tweed. That’s when you know he’s really back in charge.

Bridges of Madison County

The Bridges of Madison County. I kinda hate myself for saying this but I think Streep gets under my skin a little bit. The micro-mannerisms. I just about eye-rolled myself inside-out when she closed the fridge with her foot. Still, a lovely little doomed romance. A story of acceptance. I like the way it just sorta relaxes into the story and takes its time even though it covers such a short time period. I’d say this is better than maybe half of the Clint Eastwood movies I’ve seen.

Nerve

Nerve. So fun! Saw it on an airplane. Got such great zip and momentum and soundtrack. It loses some of that momentum as the stakes rise, but minor fault. Worth a watch. It took me forever to realize why Emma Roberts and Dave Franco each looked so familiar even though I knew I’d never seen either one before.

Rogue One: A Star Wars Story

Rogue One: A Star Wars Story. It’s not perfect, and I’m a little annoyed that they’re still making these… but, now that they are, I think this is the kind of story I’d like to see more of. Sort of putting some shape around the original 6-episode arc rather than extending it. I wish it were more melodramatic. Also a wee long and kind of a bad script? Dumb fan service (I assume we’re due for lots more) and the CGI Tarkin and Leia are huuuuuuge mistakes. Still, seeing Mendelsohn, Mikkelsen, and Whitaker in the same movie? What a treat! Much, much better than The Force Awakens. Filed under: Star Wars.

Close-Up

Close-Up. I decided to dig into some Iranian films this year. This one is based on a true story where a guy convinces a family he is a famous director and wants to use them in his film. He is found out. This movie re-tells the story… using those same people as the actors. One of those movies where talking about it afterward was more interesting than watching it, but still compelling crazy stuff. The only other Abbas Kiarostami I’ve seen is Certified Copy, and it was marvelous.

No Way Out

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No Way Out. Really fun, really twisty, really ’80s. I like this version of Costner – slick as hell, and in deep shit. I wish Sean Young’s character had a bit more going for her. Gene Hackman is one of those actors who does so well playing gross people I have to remember that and counteract it.