Watching Details Move Through Time at Anrealage

~ Mark

Watching Details Move Through Time at Anrealage | The Cutting Class. Anrealage, AW12, Tokyo.

Anrealage, AW12, Tokyo.

In the same way that some of the Futurist artists used stuttering lines to indicate speed and movement, Japanese label Anrealage was able to give the impression of blurry human movements, seen as though captured through the passing of time for the Autumn-Winter 2012 collection.

At first some of the garments trick the viewer into believing the photos are out of focus, with exaggerated silhouettes enhanced using prints and patterns that blur on the edges. However the effect is created through carefully considered print placements and precise pattern cutting.

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Blows my mind.

~ Mark

Rivalries are born from teams that play each other a lot. When you’re not in the rivalry and you look back at it, you’re thinking, Well, I hated that guy because he would have made a great teammate.

Scot Pollard. Cf. Carolyn Hax: “Competitive people are most annoying to other competitive people.”
~ Mark

Doubt is what drives me, the nervousness that I don’t have it anymore. There’s nothing a coach or anyone can say to me that’s more powerful than my own fear that I can’t do it anymore.

Shane Battier.

Demons Hate Fresh Air

~ Mark

My father was a very disciplined and punctual man; it was a prerequisite for his creativity…. No matter what time you get out of bed, go for a walk and then work, he’d say, because the demons hate it when you get out of bed, demons hate fresh air.

Linn Ullmann talking about her father Ingmar Bergman. Via Matt Thomas.

How to Get Filthy Rich in Rising Asia (review)

~ Mark ~ Leave a comment

If Tyler Cowen, Austin Kleon, and Ben Casnocha all recommend a book, I don’t really need another nudge. I loooooooved Mohsin Hamid‘s How to Get Filthy Rich in Rising Asia.

Two structural things you don’t see very often in fiction: it’s written in the second person, and the novel’s chapter titles and general format are plays on the self-help genre (“Move to the City”, “Get an Education”, “Don’t Fall in Love”). In the story, the protagonist (uh…”you”) is a third-world scrub who gradually climbs his way up the social ladder. I really appreciated the perspective on economics and daily life in a world that that’s not all that familiar.

Some favorite parts:

You read a self-help book so someone who isn’t yourself can help you, that someone being the author.

Some understated humor on receiving bad news:

You take this news as well as possible, which is to say you do not die.

So much awesome imagery and color in this one. As in this classroom scene, where students look on as one of their classmates gets on the wrong side of their teacher:

They watch in horrified fascination, like seals on a rock observing a great white breaching beneath one of their own, just a short swim away.

On becoming a parent:

Fatherhood has taught you the lesson that, even in middle age, love is practicable. It is possible to adore those newly come into your world, to envision, no matter how late in the day, a happily entwined future with those who have not been part of your past.

On books:

Writers and readers seek a solution to the the problem that time passes, that those of us who have gone are gone and those who will go, which is to say every one of us, will go. For there was a moment when anything was possible. And there will be a moment when nothing is possible. But in between we can create.

On taking out a business loan:

With borrowed funds, a business can invest, gain leverage, and leverage is a pair of wings. Leverage is flight. Leverage is a way for small to be big and big to be huge, a glorious abstraction, the promise of tomorrow today, yes, a liberation from time, the resounding triumph of human will over dreary, chronology-shackled physical reality.

That passage hints at what’s particularly hard to capture: the restless energy in this book. It just keeps coming and coming, so much invention, and it’s so fun to read. I wouldn’t be surprised if I reread this one soon.

~ Mark

thedissolve:

“Comedy thrives inside a fixed frame. It’s not an essential element, but as with dancing and magic tricks, it’s always more impressive if the viewer can see the performer’s hands and feet at all times. In Sherlock, Jr, Keaton moves the camera when he has to, during all of the movie’s crazy chases. But even then, the motion is limited: Keaton tracks alongside the actors, or he attaches the camera to the front of one of the moving vehicles so that he can keep all the action inside the rectangle.Sherlock, Jr. is at its funniest, though, when the camera stays still, and the characters move in and out, like figures in a side-scrolling platform videogame. Maybe that’s because the fixed frame emphasizes the characters as characters, arriving into the picture exactly when needed for the plot—and sometimes remaining stuck there, like the projectionist, never confident that he can find a way to break out of the box.”

Noel Murray kicks off our Movie Of The Week discussion of the 1924 classic Sherlock, Jr. with an examination of how Buster Keaton’s physical comedy thrived in a fixed environment of boxes and lines. [Read more…]

Buster Keaton insta-reblog rule in effect.

Carolyn Hax: Weddings bring out the worst in an unmarried couple – The Washington Post

~ Mark

Plus, I wonder whether you’ve actually just talked about it in a non-charged setting and, if you have, why one or both of you isn’t accepting the outcome of that talk as your current reality. “Fighting” is really just a nickname for an attempt to renegotiate what you already know is the truth but don’t want to accept.

Oh, snap. Carolyn Hax bringin’ some real talk.

Carolyn Hax: Weddings bring out the worst in an unmarried couple – The Washington Post