I got married on Friday morning and it was perfect.

Art
Concrete Mixer (Revolving Doors) by Man Ray. Brown should be used more often with bold color wheel shades.
I really like this anniversary quilt inspired by fallen leaves.
Running
Had to squeeze in runs where I could – running an errand, on the way to see family, random afternoon shake-outs. Feels weird to have the mileage cut to half of what it was two weeks ago, but it will take some time to find where to fit it all in the new work schedule.
Books
The Peripheral. DNF, plotting too erratic, lost my patience.
Shards of Honor by Lois McMaster Bujold. Just started, and I don’t love the writing, or the plot, but something is keeping the pages turning so I’ll just go with it for now.
Articles & Episodes & Twoots
“When protecting yourself from a certain unpleasant possibility becomes non-negotiable, you’re liable to suffer in other ways, often to a much greater degree.”
“You’ll be miserable if you don’t do what you’re supposed to do.”
“When you can’t decide which path to take, it’s almost always due to ignorance. In fact you’re usually suffering from three kinds of ignorance simultaneously: you don’t know what makes you happy, what the various kinds of work are really like, or how well you could do them.”
“The capacity to get up and walk away from the work is the same capacity that permits you to make meaningful progress in the work, when the time for that arrives.”
Bad service is a sign of a better world. “Temporary parasocial relationships are right up there with big houses and fast cars for me: overrated traps that siphon away household resources from the things that actually matter. The ribeye served with a smile over clean linen is fine, but it’s got nothing on tacos uncermoniously dropped on a plastic table you can afford to share with someone you love.”
Vital City, Issue 9 is all about the NYC subway.
Movies
Salt (2010). A rewatch. One of the more implausible action films I’ve seen lately, and that’s saying something. All in good fun. Angelina Jolie elevates the material.
War for the Planet of the Apes. Another rewatch, and I had a much different reaction than my first viewing. I think I’d pinpoint the same gripes, but they didn’t tip the balance this time. Really enjoyed it. There seems to be benefit in watching the others more recently, having a better sense of Caesar’s arc.
Fright Night (1985). Last rewatch of the week, still fun. One of the best depictions of sexy-magnetic vampires. Great mid-80s fashion, too. I can’t tell if the Evil Ed character was just an unpolished actor or just dialed up to 11? Or both?
Interview With the Vampire. Fun to compare this with the TV show, and wonder which is more true to the book. This one has more glamour, and better sets, but lacks the intrigue and tormented relationship that gives the TV show a bit of oomph and heightens the tragedy. I hope Tom Cruise will do some more goofy costume-and-makeup roles in the future…
Music
Kilimanjaro Darkjazz Ensemble. Glitchy jazz with ominous moody lounge stuff. I prefer “Amygdhala“.
Masahiro Takahashi, Humid Sun. More in the dreamy/sleepy/optimistic strain of ambient.
Bach: Flute Sonatas. Check out the slow movement in BWV 1030.
TV
X-Files, s3e11 “Revelations“. Stigmatic child turns the tables on Scully and Mulders usual skeptic vs. believer dynamic.
X-Files, s3e12 “War of the Coprophages“. Roaches! The silliness here was a breath of fresh air. I like the repeated hang-ups and exasperation.
X-Files, s3e13 “Syzygy“. Young Ryan Reynolds cameo. Uneven in tone. I wonder how I’d evaluate it if I hadn’t seen movies with similar best-friends-at-odds horror plots.
The Terror, s1e5.





















