~ Mark

The restriction of trailers to a few minutes of carefully selected and edited shots and scenes endows what we do see, from faces to car crashes, with a kind of pregnancy or underdeterminacy that allows audiences to create an imaginary (as-yet-unseen) film out of these fragments—we desire not the real film but the film we want to see.

Lisa Kernan, quoted in Matt Thomas’ The Following Post Has Been Approved for All Audiences.

Cardiologists and Chinese Robbers

~ Mark

There are over a billion Chinese people. If even one in a thousand is a robber, you can provide one million examples of Chinese robbers to appease the doubters. Most people think of stereotyping as “Here’s one example I heard of where the out-group does something bad,” and then you correct it with “But we can’t generalize about an entire group just from one example!” It’s less obvious that you may be able to provide literally one million examples of your false stereotype and still have it be a false stereotype. If you spend twelve hours a day on the task and can describe one crime every ten seconds, you can spend four months doing nothing but providing examples of burglarous Chinese – and still have absolutely no point.

If we’re really concerned about media bias, we need to think about Chinese Robber Fallacy as one of the media’s strongest weapons. There are lots of people – 300 million in America alone. No matter what point the media wants to make, there will be hundreds of salient examples. No matter how low-probability their outcome of interest is, they will never have to stop covering it if they don’t want to.

Cardiologists and Chinese Robbers

Save for Later

~ Mark

The Bookmark represents what we wish for. It’s the earliest indicator of intention, and the most vulnerable; by definition, the act of saving something for later means that whatever we hope for hasn’t happened yet. Bookmarks are placeholders for the future. By thumbing through them, we can start to see what might happen next.

Save for Later

~ Mark

Internet writers live on Twitter and it greatly distorts their understanding of reality.

Nobody Is On Twitter.

As someone who loves Twitter, this can be hard to admit, but ultimately Twitter is an ephemeral online forum that nobody really uses, and our tiny politics subpocket of Twitterdom almost certainly has no effect on anything.

3:10 to Yuma (2007)

~ Mark

3:10 to Yuma (2007). Well, Russell Crowe is no Glenn Ford, but who is. Loved the original movie, which fleshes out the very short story really well. This movie adds in a bit too much extra material for me, which dissipates the tension. Good, though. Themes of pride, circumstance, honor. Love this line on insurance/forced retirement, basically: “They weren’t paying me to walk away; they were paying me so they could walk away.” Filed under: westerns.

The Salvation

~ Mark

The Salvation. I feel like Mads Mikkelsen’s face was just begging to be put in a Western. This one sometimes feels like it was assembled from a western-movie kit, but has some really good moments – I particularly like the conversation with the priest in the jail, the parallel funerals, and a silent escape on a train.

The Aviator

~ Mark

The Aviator. I often struggle with biopics, but I liked this one a lot. I like how the film stock and coloring shifts with the passage of time, the recurring hands imagery, and the sympathy we feel as we see this man changing. “Nothing’s clean, Howard. But we do our best.”