libraryjournal:

jerumebrunneng:

An image of a page from The Hitchhiker’s Guide To The Galaxy, describing The Hitchhiker’s Guide To The Galaxy, on an e-reader that resembles The Hitchhiker’s Guide To The Galaxy.

This is the future, guys.

How to read a book

I think people who want to read more but don’t, or people who don’t like to read, are sometimes just putting too much pressure on themselves. And perhaps not being smart or creative enough about it. Here are ways around reading a book that are still kinda reading a book:

  • Don’t read the book, read the author’s flurry of blog posts and essays on sites everywhere that appeared around the time of the book’s launch.
  • Don’t read the book, read a bunch of smart book reviews.
  • Read the introduction and/or conclusion. I used to skip intros all the time when I was in high school because I was cool, but when I started Histories, I realized that smart context can be among the best parts. And the intros are also good for selling you the ideas in the rest of the book…
  • Read the index and look for entries with lots of sub-entries. No seriously, read like every line. It’s just a way to get yourself oriented, and more importantly, maybe you’ll catch a name or phrase that gets you curious, which leads me to…
  • Start wherever you feel like it. Page 53 is fine if it’s interesting. This is another good way to sell yourself the book. All you need is a foothold. Pages 1-52 will always be there later.
  • Skim it. For things that interest you. Gloss over numbers or the anecdotes if they bore you. When I read The Information and The Signal and the Noise recently I semi-skimmed, with dramatic impatient sighs, the sections about medicine, health, environment. These have long been areas of maximal boredom for me and I’m happy to acknowledge that and move on to something cooler.
  • Take notes, which is to say, use the book as a way to make your own writing.
  • Read your notes.
  • Reread your older notes.
  • Stop reading. As in, no sentences at all from anywhere. You’ll be back. Mark my words.

And as I finish this brain dump I remember that Ryan Holiday has said many of the same things already.

Literature is Eucharistic. You take somebody else’s suffering into your body and you’re changed by it, you’re made larger by their pain.

Everybody talks about the writer’s feeling and the writer’s expression and the writer’s experience, and, you know, I don’t give a fuck how the writer feels. I want a fucking book that I can be in love with. I want a book that I’ll reread seventeen times. That’s what I want.

Mary Karr. I usually finish reading before I tumble, but I couldn’t help it this time. (via)

Favorite books of 2012

Like my year in music, my reading was also a little down this year, especially over late summer and fall. I think I did pretty well on fiction this time around, though. I’ll stick to a couple picks for each month:

January
Extra Lives. Why video games are awesome and why they make you feel guilty and ashamed. And more! (reviewed)

Runner-up: The Art of Fielding. A tale of baseball and friendship that’s much, much better than it sounds. (reviewed)

February
Steal Like an Artist. Obviously. But you don’t have to take my word for it.

Runner-up: Hark! A Vagrant. I wish this was my high school history textbook.

March
Distrust That Particular Flavor. Twenty years of work from a great mind. I tumbled a bunch of quotes.

Runner-up: Dreamtigers. Only giving this one second place because I’ve read some of the stories before. Borges is still a champ.

April
The Gift of Fear. A fascinating look at the psychology of trust. (reviewed)

Runner-up: Philosophy Bites, for thoughtful variety that, like the podcast of the same name, doesn’t waste your time.

May
Religion for Atheists, for its thoughtful, inquisitive look at something many of us are already decided about. One of my favorites this year. (reviewed)

Runner-up: Macbeth, for being short and sweeping and brilliant. (tumbled)

Second runner-up: Mindless Eating, for its friendly, simple, super-practical approach to habits you might want to change. (reviewed)

June
{sound of crickets}

July
An Economist Gets Lunch, for Tyler Cowen’s typically counter-intuitive, omnivorous openness to experience. I’m a huge fan.

Runner-up: Imaginary Magnitude. A collection of introductions to fictional books covering, among other things, x-ray pornograms, computer-generated literature, and a biography of a sentient, moody super-computer. If you like the Borges above, or Borges in general, or strange science fiction, or strange conceptual writing in general, this is absolutely a book for you.

August, September, October
{embarrassed silence}

November
Mr. Penumbra’s 24-Hour Bookstore. This is tied with The Art of Fielding for the “How did he make that book so page-turnable?” award. A light, bright, fun adventure. Robin Sloan is next-level.

December
A Visit from the Goon Squad. Growing up in a music-heavy world. I like that every chapter has a different voice, perspective, and structure.

Runner-up: The First Four Notes, for its wide-ranging history of philosophy and aesthetics that uses Beethoven’s music as the pivot point.

The Millions : My New Year’s Resolution: Read Fewer Books

In an odd way, the fact that no one else knows has made me more competitive, not less. I’m sure serious runners are familiar with this seeming paradox. Maybe nobody else knows that you shaved 1.2 seconds off your personal best time for the mile, but you know — and that knowledge, plus the fact that your achievement has brought you no external reward, gives you a perverse sense of satisfaction. Or no, let’s be honest about this: it gives you a perverse sense of superiority.

The Millions : My New Year’s Resolution: Read Fewer Books

This is what RSS is for, these days: you set a snare, leave it, and trap for yourself the words you want to read most.

What I Read, 2007-2012. Amazing how it all adds up. Six years, 400-something books and counting. (Sometimes I write about them.)

As with any long-term journaling, what’s especially fun is the bigger picture you get from looking back. I see the individual books, yes, and my passing topical interests and ongoing obsessions, but I also see who I was hanging out with, who I was influenced by, and an incidental history of where I was living.

The Millions: The Stockholm Syndrome Theory of Long Novels

If you’re the kind of reader who doesn’t intend to give up on a Great Big Important Novel no matter how inhumanely it treats you, then there’s a sense in which Joyce or Pynchon or Gaddis (or whoever your captor happens to be) owns you for the duration of that captivity. In order to maintain your sanity, you may end up being disproportionately grateful for the parts where they don’t threaten to bore you to death, where there seems to be some genuine empathic connection between reader and writer.

The Millions: The Stockholm Syndrome Theory of Long Novels

Forms, styles, structures–whatever word you prefer–should change like skirt lengths. They have to; otherwise we make a rule, a religion of one form; we say, “This form here, this is what reality is like,” and it pleases us to say that (…) because it means we don’t have to read anymore, or think, or feel.

Zadie Smith, in an essay on George Eliot and the Victorians and the evolution of the novel and such.

On the other side of the class and educational divide (…) it’s easy to forget what it’s like not to know.

Zadie Smith, in an essay on E.M. Forster collected in Changing My Mind. The context is whether or not readers pick up on literary/cultural references. It made me think of Ezra Klein.

The novels we know best have an architecture. Not only a door going in and another leading out, but rooms, hallways, stairs, little gardens front and back, trapdoors, hidden passageways, et cetera. It’s a fortunate rereader who knows half a dozen novels this way in their lifetime. I know one, Pnin, having read it half a dozen times. When you enter a beloved novel many times, you can come to feel that you possess it, that nobody else has ever lived there. You try not to notice the party of impatient tourists trooping through the kitchen (Pnin a minor scenic attraction en route to the canyon Lolita), or that shuffling academic army, moving in perfect phalanx, as they stalk a squirrel around the backyard (or a series of squirrels, depending on their methodology). Even the architect’s claim on his creation seems secondary to your wonderful way of living in it.

Zadie Smith, opening an essay on two opposing philosophies of the reader-writer relationship, pitting Barthes vs. Nabokov. Collected in Changing My Mind, which I recommend. I’ll probably post some more quotes from this book in the near future.

Wehr in the World: 30+ hours of TV later…

Justin Wehr on how Community is awesome and so is TV but…

I don’t mean to be another pretentious I’m-above-TV guy, because I’m not. TV is above me. It dominates me, it makes me want to do nothing but sit in front of its glowing glory. In a real way, it scares me, because it shows me how powerless I am. […] The danger of TV and of passive entertainment more generally is not just that it takes time away from better things. The real danger is that it makes better things seem harder.

A couple months ago I set aside Sunday mornings as a sacred, no-interference-allowed time for books and nerdery. It’s a guaranteed 3-5 hours of learning. No regrets whatsoever. And then on Sunday afternoons I watch/play sports because that’s what you do.

Wehr in the World: 30+ hours of TV later…

Newsstand Sophisticate: Rereading

Rereading, an operation contrary to the commercial and ideological habits of our society, which would have us “throw away” the story once it has been consumed (“devoured”), so that we can then move on to another story, buy another book, and which is tolerated only in certain marginal categories (children, old people, and professors), rereading is here suggested at the outset, for it alone saves the text from repetition (those who fail to reread are obliged to read the same story everywhere) …

See also: William Ball and Mills Baker writing about Robin Sloan’s app, Fish: a tap essay, discussing things like stock and flow and David Cole’s personal canon.

Newsstand Sophisticate: Rereading

How Do You Make Life-Changing Decisions? | RyanHoliday.net

Books. Books. Books. People have been doing [whatever it is your deciding about] for a while now. They’ve been moving West, leaving school, investing their savings, getting dumped or filing for divorce, starting businesses, quitting their jobs, fighting, dying and fucking for thousands of years. This is all written down, often in the first person. Read it. Stop pretending you’re breaking new ground.

How Do You Make Life-Changing Decisions? | RyanHoliday.net