
Japanese drum notation for “Dienst Mars” (Service March) by Inukai Kiyonobu, 1865. Western Military Drums in Japan.

Japanese drum notation for “Dienst Mars” (Service March) by Inukai Kiyonobu, 1865. Western Military Drums in Japan.

Score for Clapping Music by Steve Reich. Video of Reich playing it with Russell Hartenberger, I think. See also the Rise and Fall of Steve Reich.
If people have even a little understanding, it is better to move them than to amaze them.
I’m not trying to be an exoticist here, but it’s often easier to find pleasant surprises in things that are totally unfamiliar. Also, there’s no fear of a nice groove being ruined by crap lyrics, because I don’t understand any of it.
Q. Does President Obama make for a good Auto-Tune?
A. You know, what was great from Obama was the campaign speeches. His campaign speeches were excellent, because he was sort of using that almost gospel-preacher rhetorical style.
Since he’s been president, he’s been so relaxed and sort of so laid back and cerebral and sort of intellectual. He’s not been quite as excellent for Auto-Tuning because there’s a lot more of a mumbly tone about him. A lot less of the “Yes we can!” and a lot more of the “Weeeeell, as we see …”

Les Paul’s early solid-body electric, “The Log”.
Birds on the Wires on Vimeo. This is fantastic. Messiaen would be proud. (via waxy)
We had a few complaints that the MP3s of our last record wasn’t encoded at a high enough rate. Some even suggested we should have used FLACs, but if you even know what one of those is, and have strong opinions on them, you’re already lost to the world of high fidelity and have probably spent far too much money on your speaker-stands.
Hear the band’s 16th album, ‘Popular Songs’ in its entirety.

The first movement of Bach’s Violin Sonata No. 1 in G minor (BWV 1001). Listen.
Reading through the histories of both jazz and rock, I am struck again and again by the fact that although women and girls were the primary consumers of popular styles, the critics were consistently male–and, more specifically, that they tended to be the sort of men who collected and discussed music rather than dancing to it. Again, that is not necessarily a bad thing (some of my best friends…), but it is relevant when one is trying to understand why they loved the music they loved and hated the music they hated.
Live at The Folklore Center, NYC. March 6, 1967.
Respect the dance floor because the dance floor never lies. The DJ is not the star.

Thom and Jonny and I’m guessing Colin in the background. Looks like they’re on a spaceship.
Pachelbel Rant, about being bored out of your mind on cello + the chord progression showing up everywhere.
When I first read this, I thought they meant Harry Partch, which would have been cool, too. Nice tune.
All these different kinds of fantastic music you hear today – course it’s all guitars now – used to hear that way back in the old sanctified churches where the sisters used to shout till their petticoats fell down. There ain’t nothing new. Old soup used over.
I haven’t talked about work much in the 3 or so years I’ve been running this site, but I thought it was time to share a side project I’ve been involved in. I’m a co-host of Stuff from the B-Side [iTunes link], wherein, twice a week, my friend John and I have a conversation about some aspect of the musical world. John knows about 38 times as much as I do and we always a good, low-key time.
I was looking back through the RSS file for our episodes and realized I’d been doing recordings for a half-year-ish now. The first couple (dozen) episodes I was in were pretty rough. But I always listen every week and it’s nice to hear (what I think somewhat resembles) progress. It’s certainly feels more comfortable in front of the microphones. It’s not nearly as strange to listen to my own voice anymore.
It’s nice that we get a lot of freedom to be the curious people that we are, exploring topics as we get fascinated by them or as listeners request them. Favorite episodes? I’m partial to the ones in which we talk about:
Also, I’d be silly not to mention that I’ve got smarter, even more well-spoken colleagues that do many other podcasts [iTunes] that are even better.