If people have even a little understanding, it is better to move them than to amaze them.

Andrés Segovia. Inspire vs. impress.

Q. Does President Obama make for a good Auto-Tune?

A. You know, what was great from Obama was the campaign speeches. His campaign speeches were excellent, because he was sort of using that almost gospel-preacher rhetorical style.

Since he’s been president, he’s been so relaxed and sort of so laid back and cerebral and sort of intellectual. He’s not been quite as excellent for Auto-Tuning because there’s a lot more of a mumbly tone about him. A lot less of the “Yes we can!” and a lot more of the “Weeeeell, as we see …”

Interview with the Gregory Brothers of “Auto-Tune the News” fame.

We had a few complaints that the MP3s of our last record wasn’t encoded at a high enough rate. Some even suggested we should have used FLACs, but if you even know what one of those is, and have strong opinions on them, you’re already lost to the world of high fidelity and have probably spent far too much money on your speaker-stands.

Reading through the histories of both jazz and rock, I am struck again and again by the fact that although women and girls were the primary consumers of popular styles, the critics were consistently male–and, more specifically, that they tended to be the sort of men who collected and discussed music rather than dancing to it. Again, that is not necessarily a bad thing (some of my best friends…), but it is relevant when one is trying to understand why they loved the music they loved and hated the music they hated.

Another selection from How the Beatles Destroyed Rock ‘n’ Roll. Over the past year or so, I find I’m more and more reluctant to condemn music I don’t like, maybe partly because I’m more willing to dance than I used to be.

Respect the dance floor because the dance floor never lies. The DJ is not the star.

Ben Watt, via one of my old PoliSci professors.

Fun fact: I have a podcast

I haven’t talked about work much in the 3 or so years I’ve been running this site, but I thought it was time to share a side project I’ve been involved in. I’m a co-host of Stuff from the B-Side [iTunes link], wherein, twice a week, my friend John and I have a conversation about some aspect of the musical world. John knows about 38 times as much as I do and we always a good, low-key time.
I was looking back through the RSS file for our episodes and realized I’d been doing recordings for a half-year-ish now. The first couple (dozen) episodes I was in were pretty rough. But I always listen every week and it’s nice to hear (what I think somewhat resembles) progress. It’s certainly feels more comfortable in front of the microphones. It’s not nearly as strange to listen to my own voice anymore.

It’s nice that we get a lot of freedom to be the curious people that we are, exploring topics as we get fascinated by them or as listeners request them. Favorite episodes? I’m partial to the ones in which we talk about:

  • Musicians who use alter egos (including a discussion about the post-modern meta-cultural qualities of Hannah Montana and Eminem)
  • How to decipher classical music titles
  • The 1980s cassette version of iTunes
  • Guilty pleasures and what makes music “cool”
  • Brian Eno’s Music for Airports
  • Narcocorridos
  • The life and times of Billie Holiday
  • Terry Riley’s In C
  • Wizard Rock
  • Leonard Cohen
  • The West Coast/East Coast rivalry
  • The Dies Irae melody
  • Etc.

Also, I’d be silly not to mention that I’ve got smarter, even more well-spoken colleagues that do many other podcasts [iTunes] that are even better.