I’m 59 years old. I don’t care about these technology pets they have.

If you lose your cellphone, don’t blame Wayne Dobson – ReviewJournal.com. I’d never thought about this:

In 1997, cellphone users were roughly one in three callers to 911 dispatchers. And dispatchers didn’t know what to do in situations where the person couldn’t, or didn’t, provide their location. For land lines, dispatchers automatically knew where they were. If you were in Chicago calling from a cellphone with a 702 area code, for example, Chicago dispatchers would forward the call to Las Vegas police.

What is art in the internet age? | Yale Insights

Q: What are the incentives you think artists are responding to?

Money and fame and sex—the same as always—but now there’s a difference. You can’t perfect your masterwork for 20 years. There’s a bit of a hurry. There’s a sense that things are changing. You can end up obsolete.

Q: How about from the audience perspective? How different is consuming art versus other consumption?

I think it’s changed enormously in the last 10 years. You see it in movie theaters, but it’s everywhere: people text or tweet and don’t pay full attention. They’re in some ways quite fussy. The attitude is, I’m already in control of my own informational life and entertainment. What else can you bring to the table? Not in a hostile way, but in an entirely legitimate “what have you got for me?” way. A lot of creators aren’t really up to it.

What is art in the internet age? | Yale Insights

The Grey

The Grey. It’s great. Watch it. There are (spoiler) wolves that (spoiler) eat people! Cinematically! The occasional narration and flashbacks in the story didn’t entirely sit well with me right away, but the strength of the rest of the acting, set pieces, sound work, and general grim relentlessness were spot-on. I think maybe you can even argue in favor of the bluntness of the voiceover writing. We’re so used to heroes being accomplished, superlative, clever, admirable. This is kind of a regular guy, down and out and swallowed in his own drama. How many people have written a good diary entry, literariness-wise? Who, in those circumstances, would be self-conscious enough to turn out new insights and artisan memories? No, you get by on what you have with you.

I didn’t think about that stuff much when I was watching the movie, though. I was already having too much fun. Other movies I’ve seen recently that involve the protagonist in a man vs. canine situation: The Hunter, White Dog, The Bourne Legacy. Man vs. cat? Life of Pi.

Noted – The Chronicle Review – The Chronicle of Higher Education

In his 1689 De arte Excerpendi, the Hamburg rhetorician Vincent Placcius described a scrinium literatum, or literary cabinet, whose multiple doors held 3,000 hooks on which loose slips could be organized under various headings and transposed as necessary. Two of the cabinets were eventually built, one for Placcius’s own use and one acquired by Leibniz. It was an early manifestation of the principle that still governs our response to the knowledge explosion: The remedy for the problems created by information technology is more information technology.

Noted – The Chronicle Review – The Chronicle of Higher Education

I think every kid wants to rebel against their parents and my parents are cool, artistic, creative people. So my way to rebel was to take the academic route. I always wanted to go to college and go to law school.

I had never written a movie before and Dan gave me this huge list of movies and took me to Whole Foods with his laptop. We sat and watched every movie on the list frame-by-frame and talked through it. That was my film school, meeting with Dan at Whole Foods.

Lucy Alibar, on adapting “Juicy and Delicious” into Beasts of the Southern Wild. Easy as that.

America’s favorite joke is anything but funny – Salon.com

Without the foil, we would have to face our own poverties, our own barbarism, our own shelteredness, our own actual lack of sophistication.

Also:

The problem with a stereotype is usually not that it is completely inaccurate, but that it identifies a feature as relevant or important for irrelevant reasons and, in so doing, makes it difficult for the person or entity to break out of the stereotype and beyond it in observers’ eyes, which makes an authentic relationship with the stereotyped person or entity impossible.

Filed under: rednecks, stereotypes

America’s favorite joke is anything but funny – Salon.com

Julian Baggini – The art of coffee

The logical consequence of molecular gastronomy is haute-mechanisation. If the best way to cook meat, for example, really is to vacuum-seal it with some herbs and spices and cook in water at 55 °C (131 °F) for 48 hours, then as soon as a suitable, cheap sous-vide cooker is available, there is no reason why a novice chef in a local pub, or anyone else for that matter, couldn’t collect it from the butcher and do as good a job as anyone else.

Julian Baggini – The art of coffee

Favorite improvements of 2012

In addition to my previous posts on movies, books, and music, I’ll mention some things that made my life better last year, in some way or another. I’m dividing it here into two parts: things I bought, and decisions I made.

Products

  • Amazon Prime. Wonderful. Love it. I get another source for movies, and I get stuff I don’t always need, more quickly. This is why we made civilization.
  • A grapefruit spoon. Great example of having the right tool for the job. When you need both cutting and scooping power. An incredibly thoughtful gift from a friend who listens well.
  • A drain snake. There is no reason, in this day and age, in a nation of great prosperity, to suffer through domestic life with a slow or clogged drain. (I think I have a thing about drains. The sink strainers I bought a couple years ago still deliver me daily joy.)
  • A shoehorn. I hate when my shoes get the crumpled heel counter. And it feels nice. Hard to explain, it just feels proper and kinda smug, which is great way to start the day.
  • Better sound. The small, relatively inexpensive upgrades for my amplifier, headphones, and earbuds have made all the difference. Louder sound, cleaner sound, less background noise. And I don’t even think I’m much of an audiophile (……….yet?).
  • Ghostery is a great way to fight the Man, and an easy, at-a-glance way to roughly gauge which sites are more bullshitty than others.
  • Embracing a uniform, sorta. My favorite thing to wear is a grey t-shirt and jeans. Or grey t-shirts and pants. Or a grey sweatshirt. Or a blue or white button-up. Or some combination of the above. Boring. Predictable. Stockpile the good stuff and phase out the rest!
  • Art. I ripped a bunch of things out of art books to frame, but I also bought a kick-ass print to hang by my desk and had a friend make me a painting that sits in the bedroom.

Decisions

  • I resigned from my job at HowStuffWorks. I had a good run, but it was probably past time. (4.5 years! Dang, y’all.)
  • I started a new job at SimplePart. Awesome startup I was super-stoked to join.
  • I resigned from that new job at SimplePart. Awesome company, but the wrong fit, it turns out. No hard feelings on either side. They’re gonna make piles of money.
  • Taking my time to figure it out. I’m lucky I’ve been a disciplined miser since college, which gives me the chance to leap into the great unemployed unknown every now and then (and go hiking). This whole discernment process has been exhausting/exciting/stressful/fun, depending on the day/week/minute. Who knows what’s next?
  • I started going to therapy. There is nothing quite like it. Everyone I’ve mentioned it to has been supportive and/or jealous. Not to claim that I’ve made huge strides as a human being, but I can’t think of anyone who would not benefit from setting aside some time (and money, yeah) for thoughtful conversation focused on yourself.
  • I called my family more often. This isn’t saying much, but it’s a step in the right direction for sure.

Here’s to another year of small improvements and big ones.

Favorite movies of 2012

I watched more movies in 2012 than any other year of my life, by far (132). I should have taken up cinephilia years and years ago. Although, um, I maybe should tone it down a bit?

Some of the high points this year came from diving deep into Michael Mann, Steven Soderbergh, and yeah, Ben Affleck, along with re-watching a good collection of old favorites. Below are some new-to-me movies that I loved in 2012. I looked at my diary on Letterboxd, and listed the movies that I gave either 4.5 or 5 stars. All the links go to my own reviews:

  • Heat (watched 3x!) “Yeah, this is definitely going on my list of movies that are 1) more than 2.5 hours long, and 2) worth watching 3x or more.”
  • Lawrence of Arabia. “David Lean? This, Doctor Zhivago, and Brief Encounter? There’s a resume for you.”
  • Beasts of the Southern Wild. “Best soundtrack of the year so far? I might have cried twice.”
  • The New World. “You’re forced to set aside Disney memories and whatever historical précis you’ve got leftover from school.”
  • The Iron Giant. “The greatest anti-war film ever made.”
  • Certified Copy. “The surprises depend on you coming to a conclusion, one way or another, and the way the movie unfolds, you have to question what you come up with.”
  • Take Shelter. “Often when I see extreme psychological issues on screen it feels like an excuse for spectacle, it’s motive, it’s entertainment. Michael Shannon’s paranoia just breaks him.”
  • Warrior (2x!) “Some plot points are about subtle as a kick to the head, but the power is there, too.”
  • Midnight in Paris. “I love our hero’s giddy, can’t-believe-his-luck enthusiasm. This might be my favorite Owen Wilson performance ever.”
  • The Night of the Hunter. “Some things aren’t right in this neighborhood. Perfect horror.”
  • Thief. “I also like that this thief isn’t an MI-style sneaky ninja techno-athlete or some kind of capoeira breakdancer. He’s an old man. He’s got a limp. He wants to have a wife and kid.”

And what the hell, here are the 4-star movies from 2012. It’s a thin line:

Favorite books of 2012

Like my year in music, my reading was also a little down this year, especially over late summer and fall. I think I did pretty well on fiction this time around, though. I’ll stick to a couple picks for each month:

January
Extra Lives. Why video games are awesome and why they make you feel guilty and ashamed. And more! (reviewed)

Runner-up: The Art of Fielding. A tale of baseball and friendship that’s much, much better than it sounds. (reviewed)

February
Steal Like an Artist. Obviously. But you don’t have to take my word for it.

Runner-up: Hark! A Vagrant. I wish this was my high school history textbook.

March
Distrust That Particular Flavor. Twenty years of work from a great mind. I tumbled a bunch of quotes.

Runner-up: Dreamtigers. Only giving this one second place because I’ve read some of the stories before. Borges is still a champ.

April
The Gift of Fear. A fascinating look at the psychology of trust. (reviewed)

Runner-up: Philosophy Bites, for thoughtful variety that, like the podcast of the same name, doesn’t waste your time.

May
Religion for Atheists, for its thoughtful, inquisitive look at something many of us are already decided about. One of my favorites this year. (reviewed)

Runner-up: Macbeth, for being short and sweeping and brilliant. (tumbled)

Second runner-up: Mindless Eating, for its friendly, simple, super-practical approach to habits you might want to change. (reviewed)

June
{sound of crickets}

July
An Economist Gets Lunch, for Tyler Cowen’s typically counter-intuitive, omnivorous openness to experience. I’m a huge fan.

Runner-up: Imaginary Magnitude. A collection of introductions to fictional books covering, among other things, x-ray pornograms, computer-generated literature, and a biography of a sentient, moody super-computer. If you like the Borges above, or Borges in general, or strange science fiction, or strange conceptual writing in general, this is absolutely a book for you.

August, September, October
{embarrassed silence}

November
Mr. Penumbra’s 24-Hour Bookstore. This is tied with The Art of Fielding for the “How did he make that book so page-turnable?” award. A light, bright, fun adventure. Robin Sloan is next-level.

December
A Visit from the Goon Squad. Growing up in a music-heavy world. I like that every chapter has a different voice, perspective, and structure.

Runner-up: The First Four Notes, for its wide-ranging history of philosophy and aesthetics that uses Beethoven’s music as the pivot point.