If you made a Venn diagram of self-promotion, the phenomenon of humblebragging sits in the overlap of two distinctly American pathologies — where manipulative self-consciousness meets our maniacal desire to succeed. What feels better than an ego boost? An ego boost everyone knows about.
Author: Mark
A crusade in reverse, we marched forth to lose what religion we had and be conquered.
my mortifying month
There needs to be room for music writing that’s not just about the author performing taste and making value judgments. So much of the life of music — the ways we hear it, the things we want from it, and so on — exist in a huge, complicated context, and someone needs to describe that context.
WhoSampled.com
We’re building the ultimate
database of sampled music, remixes and cover songs. Dig deeper into music by discovering direct links among over 116,000 songs and 44,000 artists, from Hip-Hop and R&B via Electronic Music through to Rock, Pop, Funk, Soul, Jazz and beyond.
I wish I’d known about this site a long, long time ago.
Four Senior Citizens Plotted Killing Spree at a Waffle House | Mother Jones
KAREN: What difference does it make? Who cares if she doesn’t like you? Does everybody in the world have to like you?
GEORGE: Yes! Yes! Everybody has to like me. I must be liked!
George Costanza on being liked. Episode 73 – The Masseuse. (via via)
Interview with Andrew Potter: Travel and the Search for Authenticity – World Hum
I think we need to keep in mind that the backpackers you’re talking about, who go to new areas and beat new paths by living close to the people and close to the earth and so on, they are in a sense—and this isn’t my line, this is from an old book I came across—the shock troops of the mass tourism industry. They’re the ones who go into a place that has no infrastructure for tourism and basically create the market for other people to come in behind them. And that may or may not be a bad thing. But we need to be aware that that’s actually what’s going on.
Interview with Andrew Potter: Travel and the Search for Authenticity – World Hum
When an artist brings me their work, I treat it like food — like a frozen chicken. Like, I have my stove and I didn’t make the chicken, but I can put the right spices on it, and put my stove at a certain degree.
Idler Q&A (3) | HiLobrow
Mark Kingwell and Joshua Glenn discuss their sequel to The Idler’s Glossary, The Wage Slave’s Glossary. Kingwell:
The idler/slacker distinction is a powerful lever. It makes clear that idling, unlike slacking, is not about work at all: it’s not avoiding work, or resenting work, or hiding from parents or spouses who think you should be working more. Idling offers an independent value which, in being independent, constructs an implicit (sometimes explicit) critique of the work-world’s norms. […] The idler says, don’t grow (if growth just means bigger markets). Instead, play! We are trustees of our time here, not owners of it. When it comes to selfhood and our time here, there is no property; there is only care.
I loved Mark Kingwell’s book In Pursuit of Happiness.
Idler Q&A (3) | HiLobrow
Scarface (1932)

Scarface (1932). Ambition, bloodlust, cowardice. Good flick, especially after you get used to the 1930s-y acting. (My wholly uninformed but standing assumption is that the 1983 remake is far inferior.) I was pleasantly surprised with some of the tracking shots and felt proud when I figured out the X motif (spoilers!). The only other Howard Hawks works I’ve seen are The Big Sleep and Gentlemen Prefer Blondes.
There’s no such thing as not playing. Music has rests in it. So you’re on a rest right now, and the music will begin shortly.
Tom Waits. Via austinkleon. Cf. Ralf Hütter of Kraftwerk:
We have to start the concert at 8:00 and we have to stop sometime because the halls are rented for a certain time but the music goes on in your mind before and after you play. It’s really just an agreement you make to stop at a certain time. On record, it goes for 40 minutes because an album has these dimensions. It’s just an agreement. But really the music goes on.
Oh you have a dream? You should pay a lot of money for that dream and maybe at the end of a lot of debt you’ll be better at that dream.
Annie Clark on education at Berklee College of Music. Another take in an earlier interview:
At some point you have to learn all you can and then forget everything that you learned in order to actually start making music.
I think a lot of people, if they’re not careful, can err on the side of the quantifiable and approach it like an athlete. Run that little bit faster, do that little bit more and think you’re being more successful. But the truth is that a lot of times it’s not necessarily about merely being the best athlete, it’s about attempting a new sport.
It is hardly surprising to find that the two areas of human enterprise most concerned with sincerity as opposed to truth–namely, politics and advertising–are also the two areas most steeped in bullshit. Or would it be better to say that politics and advertising are the two areas most concerned with the appearance of authenticity? This might be a distinction without a difference.
St. Vincent, “Surgeon,” 4AD Sessions
Seeing her pull off those guitar lines up close…hot damn.
Filed under: St. Vincent
Saw St. Vincent on Friday. First time. Freaked out like I thought I would. There were some obscenely talented musicians on the stage. Dang.
Baseball Umpires Aren’t Perfect, OK? – NPR
Corresponding to the umpire-as-instrument idea is External Realism. According to External Realism, there are umpiring-independent facts of the game — balls are really fair or foul, runners are either safe or out — and the questions we face are merely epistemological, how best to determine the facts, how to find out.
Corresponding to the umpire-as-player idea is Internal Anti-Realism. According to Internal Anti-Realism, umpires don’t call them as they see them; umpires, through their calls, make it the case that a pitch is a strike or a ball, a runner safe or out. There are no umpire-independent facts in baseball.
High Plains Drifter

High Plains Drifter. This is one of those movies where you have to remember that the protagonist doesn’t always reflect the values of the real, actual live human being director. Here, the Stranger kills three guys and rapes a woman within, oh, 10-15 minutes. It’s not the most subtle movie you’ll ever see. Honestly, I finished this one out of a sense of obligation and curiosity because I love westerns and I love Clint Eastwood. This was the second movie he directed, after Play Misty for Me. Aside from a few excellent parts here and there, this one is more enjoyable when reading and thinking about it after you’ve watched it than while actually watching. It doesn’t all hold together so well. Comparing this to his directing work in the 1990s and 2000s is like night and day. That said, objectively awesome bits include a great opening mirage entrance scene, a spooky, eerie score that would fit right in with a horror or 1950s scifi movie, and the tough guy one-liners. Speaking of tough guys, I really need to make some time for the Dirty Harry flicks…
By seven everyone is gone. They all offered to help, and you waved them away. There is a shabby nobility in failing all by yourself.
Excerpt from Bright Lights, Big City, a swift, often funny book with a terrible ending. Another favorite bit:
You have friends who actually care about you and speak the language of the inner self. You have avoided them of late. Your soul is as disheveled as your apartment, and until you can clean it up a little you don’t want to invite anyone inside.
Fake Authenticity | HiLobrow
Whenever authenticity is evoked, we are in the world of fake authenticity. […] “Authenticity” is a reality-label from the art world, and as such it cannot be fixed to anything living and vital.
Which essay I found via the excellent The Authenticity Hoax.