
Sleepless in Seattle. ‘93 Meg Ryan, you guys. It’s uneven, but I love how the first hour or so everybody has to wrestle with dreamy wistfulness/“something’s missing” kind of feelings vs. carpe diem/“go get’em” bootstrapping.

Sleepless in Seattle. ‘93 Meg Ryan, you guys. It’s uneven, but I love how the first hour or so everybody has to wrestle with dreamy wistfulness/“something’s missing” kind of feelings vs. carpe diem/“go get’em” bootstrapping.
Have you never said that “the rest was history,” which implies that a moment happened, and then history just followed, like you were letting out the kite string but the wind was doing the work?
I love that image.
What Nora Ephron Taught Me About Love In The Movies : Monkey See : NPR