Note by Note: The Making of Steinway L1037

Note by Note: The Making of Steinway L1037. This was interesting, but not a must-see. You get to know the multi-national cast of employees that put them together up in the Steinway factory in Astoria, Queens, NYC. There are also some scenes from the public showrooms and artist relations (patient employees help sensitive musicians searching for an ineffable something).

The scope of the actual construction is impressively broad–there are giant chunks of wood that just get absolutely manhandled, and there are tiny little fiddly bits that get tweaked and retweaked over a span of weeks. I used to work with my Grandpa in his workshop, and if you spend any time with smart carpenters, you catch on to the clever devices or tricks they invent to make the job easier. There’s some cool custom-made-for-the-job timesavers in the movie if you look for them.

The downside to all the behind-the-scenes stuff is that while you see a lot, they don’t explain a lot. E.g. you see a foreman selecting wood, but you don’t know what kind of wood it is or what kind makes it better than other chunks. I don’t know that I wanted a narrator intoning facts over all the footage, but it’s a shame that so much is kept at arm’s length. Maybe a more probing interviewer could have helped. If you’re really interested in the details, I think you’re better off reading something like the A Romance on Three Legs: Glenn Gould’s Obsessive Quest for the Perfect Piano.

The September Issue

The September Issue. This was mostly interesting for the visual spectacle. As a “story” it falls flat. It’s more a series of snapshots. The goal is to produce the Biggest Magazine Ever in the history of anything, but there’s no strong sense of beginnings, endings, middles, challenges. Perhaps there’s no proper place to begin watching a process that happens 12 times a year every year, but you still want some kind of narrative handhold. As for the people… of Vogue editor-in-chief Anna Wintour, you don’t learn much directly, but watch her meet and quietly decree. It is pretty amazing how everyone just folds around her. Well, almost everyone. The magazine’s creative director, Grace Coddington is presented as the warmer, romantic foil to Wintour’s frosty business demeanor. Perhaps the most interesting bit of process was seeing the storyboarding of the magazine. There’s a separate room where they’d lay out potential photoshoots on a table, then select and sort the miniature 2-page spreads on a big wall, shuffling and reshuffling pages until press time.

Tyson

Tyson. It’s a great movie. Tyson narrates the whole thing, which is interspersed with footage from his entire career. What could be boring talking head scenes are somewhat enlivened with multiple camera angles, split screens, cuts, etc. You can’t help but feel some sympathy for the guy.

Man on Wire

Man on Wire. Fantastic movie. Wow. I’m glad the participants had to the foresight to document while they prepared. One thing I love about achievements like this is seeing that they really are projects, a dream-made-real that took years of work and preparation. A one-off, maybe, but not simply a lucky break. Props to Kottke for sharing it.

Trouble the Water

Trouble the Water is the second Katrina documentary I’ve seen this year. The Axe in the Attic was not nearly as good as this one. I was a bit reluctant to go because I’ve had hurricane burnout lately, but this was worth seeing. Trouble the Water starts out with some homemade videos of a stranded couple that couldn’t make it out. They were stuck in the 9th Ward. You see them getting ready, then holing up in the house, then moving to the attic when the levee breaks a few blocks away from their home and their house fills with water, then escaping to even higher ground, then finally leaving New Orleans, and coming back years later. It goes astray with some too-obvious, too-easy critiques of the political bumbling toward the end. The criticism is well-deserved, of course, but not nearly as interesting as seeing their stories unfold, seeing them meet strangers and help each other out, and how they find strength in each other and in their faith. The protagonists are pretty lovable. Go see it in your neighborhood.

Hands on a Hard Body documents a contest where competitors try to win a truck by keeping their hand on it for the longest period of time. The contest in the film lasted 77 hours. I’ve heard about this movie for a while, and now I’ve finally got a chance to see it. [via waxy]

King Corn

King Corn is a documentary about 2 guys that move to Iowa to grow an acre of corn. With today’s agro-tech, the actual farming takes just a few minutes. The bulk of it is their interviews and exploration of the food chain from seed to cobs to cattle to what we get in stores and restaurants. Highlights include some fun stop-motion animated interludes, their really funny interview with a PR flack at a high fructose corn syrup factory (and their attempts to make HFCS at home), and the generally straight-shooting commentary from the local Iowans.
Here’s the trailer for King Corn, and an Boing Boing interview with Ian Cheney and Curt Ellis, the filmmakers.