The Best American Comics 2006 (review: 4/5)

A little slow getting to this one, but it was worth the wait. The Best American Comics 2006. There’s a lot to cover in the collection, so I’ll just highlight the authors and stories I enjoyed the most.
Joel Priddy, “The Amazing Life of Onion Jack”: a short bio of an aging superhero who really wanted to be a chef. I liked the clean stick figure styling in this one. Charming humor and great timing.

Lilli Carr?©, “Adventures of Paul Bunyan & His Ox, Babe”: the classic folk hero, re-imagined. Paul is a sensitive, Proust-reading guy with real-world difficulties. His well-paced dialogue with Babe is reinforced by this really clear, powerful sense of setting.

Ben Katchor, “Goner Pillow Company”: about pillows designed for sitting at windows. I like the basic concept here, briefly fantasizing about a world where people look out of windows instead of into our electronic boxes.

Jonathan Bennett, “Dance with the Ventures”: early morning, a guy goes scavenging for old records in the trash. I love the dramatic inner dialogue. You can instantly relate to it.

John Porcellino, “Chemical Plant/ Another World”: driving through a factory at night. I don’t know how, but he captures a spooky night-time scene in panels that are really white-heavy.

David Heatley, “Portrait of My Dad”: short vignettes about his father. I love the color and density of the pages. Here’s the first page. Just an all-around beautiful chronicle of the relationship.

Jessica Abel, “Missing”: an argument with a mirror, and an argument with a friend. The body language is wonderful in this excerpt from La Perdida.

Kurt Wolfgang, “Passing Before Life’s Very Eyes”: an old man dies, floats around, learns the truth. The dialogue borders on the preachy-casual, but the final panels are really satisfying.

Jesse Reklaw, “Thirteen Cats of My Childhood”: a memoir of family and feline relationships. I had expected to hate this one, but I loved it. It was more text-heavy than many of the others, so you can really dig in to the story.

The 9/11 Report: A Graphical Adaptation (review: 2/5)

At the least, I can say that I’m now more interested in the original 9/11 Report than I was before. I really wanted this one to be good; it was just frustrating.
Jacobson and Col??n got off to such a good start with a slick 10 page fold-out timeline that tracks the four flights concurrently. It was a truly powerful experience to juxtapose the events of my own morning with what happened in the air. But it all went down from there. The illustration was disappointingly inconsistent, mixing some really clever, accurately rendered scenes next to some that are just a little sloppy. I’m not sure if scattershot, somewhat arbitrary imagery is due to the nature of the original Report. The lettering and narrative boxes really killed me, though. The box geography was awkward, so I ended up stumbling around the page. Out of hundreds of comics I’ve consumed, I’ve never had so much trouble doing the basic task of reading.

Regarding the actual Report material, it’s not so bad. For someone like me, who generally steers clear of popular politics, it’s a nice intro to the history, who is who among the terrorists, and who is who among the white men in suits. Here’s my #1 piece of loveably laughable advice the Commission offers: “It is crucial to offer a way of routinizing, even bureaucratizing, the exercise of imagination.”1 Oh, I really wanted this to be good.

Some other links for your curiosity… here’s a good review over at Salon, an NPR interview with Jacobson and Col??n, and Slate offers an excerpted version online & an interview as well.


1*ahem* Some other important thoughts on bureaucracy