On the “velvet rut”:
It’s real, and it’s easy to get stuck in it. You start to think, “I’ve got my breakfast tacos, my sunshine, my BBQ, and my food trucks. I’m just going to sit here and do my thing.”
On the “velvet rut”:
It’s real, and it’s easy to get stuck in it. You start to think, “I’ve got my breakfast tacos, my sunshine, my BBQ, and my food trucks. I’m just going to sit here and do my thing.”

The Risks Worth Taking – Austin Kleon.
Believe me, when I quit my day job almost two years ago, it was not an act of bravery, and if it was a risk, it was an extremely calculated one.
As a long-time reader and would-be patron of Austin Kleon and his blackout poems, I was glad to see his work featured on Jen Bekman’s 20×200. I bought How It Works last week. This afternoon I came home and saw that I had received a parcel.

I made my way inside for a better camera and a better view of its labeled glory.
The envelope, constructed of a firm cardboard, features a well-designed exhortation to avoid bending it. One can open it by pulling a strip along the top edge of the reverse side.
Inside, in between two protective boards is a plastic sleeve containing 1) a certificate of authenticity with the artist’s signature and 2) a short document with bio, statement, and information about the print and 3) the print in question.
Aforementioned print uses archival pigment inks on 100% cotton rag paper with a matte finish, and will look rather fetching when I find a frame (Austin recommends this one):
And I quote, HARPERCOLLINS TO PUBLISH COLLECTION OF NEWSPAPER BLACKOUT POEMS!, end quote.