The New York Times writes about the upcoming collaboration between Big Boi and the Atlanta Ballet. [via around midtown]
Tag: atlantaballet
Atlanta Ballet announced the 2008-2009 season [pdf], which is looking pretty damn good. If only they still had the orchestra.
Dracula was pretty cool when I saw it a couple years ago. They do this great opening in pitch black, then the ghoulish red letters of the title project on the rippling stage curtains before they open on a dark, foggy, spiderwebby set. The dancing wasn’t as exciting, but it’s a cool spectacle. It’s a Valentine’s production this year.
I love the music for Swan Lake, which opens the season, and for The Firebird, which will be coupled with some kind of world premiere. Don Quixote is new to me as a ballet. Never heard the score.
Atlanta Ballet Orchestra Given the Pink Slip
Some sad news for Atlanta arts today: the Atlanta Ballet will no longer perform with live music. They have decided not to renew the musicians’ contracts for the 2006-2007 season, so all performances will be done with recorded music. I’m guessing the musician’s union wouldn’t budge, and there just ain’t that much free money for the arts laying around.
It’s kind of a bummer. There’s always that intangible ‘something’ that live music brings. Whether it’s just the little humming and tooting before the show, or appreciating the not-so-simple act of coordinating dancers and musicians–the orchestra adds a lot to the productions. Two productions I really liked, Dracula and Hamlet [music by Philip Glass] wouldn’t have been nearly the same without the live music. It really felt like something special, an Event.
Surely there’s another way? I’ll bet there are some highly-qualified college students and highly qualified amateurs in the Atlanta area that would be glad to play for much lower fees. Heck, I would have played for free when I was doing percussion back in college. Some of my favorite concerts were the dual-department music/ dance productions. Hopefully, the orchestra will have only a brief absence. Or perhaps it will free the ballet to collaborate with other, smaller ensembles. We shall see. I’m still a bit bummed, though.