I just learned about Open Culture yesterday. Their mission, as they describe it:

To explore the best of contemporary intellectual life.
To connect users with free, high-quality online media — podcasts, videos, online courses, etc. — that makes learning dynamic, convenient and fun.
To keep users apprised of new cultural developments and resources worth their limited time.

Looks like a lot of good brainy media there.

“The graphic novel has been a ‘legitimate’ art form for a while now. Does that mean we can start calling them comics again?” Publisher’s Weekly reviewers vote on their favorite comics from 2006. It was a very good year.
I agree that Absolute DC: New Frontier was really good. I loved Scott McCloud’s Making Comics (my review). I sort of panned The 9/11 Report: A Graphical Adaptation (my review), but it made the honorable mentions anyway. I just started Kevin Huizenga’s Curses, and Alison Bechdel’s Fun Home: A Family Tragicomic is definitely on the (ever-lengthening) to-read list.

Okay after all this mess, I’m almost a little embarrassed that I liked Michael Crichton’s books so much when I was younger. Earlier this year, Michael Crowley wrote a critical article about Crichton’s views on global warming. Well, what do you know… in Crichton’s new novel, Next, he inserted a character named Mick Crowley, who turns out to be a child rapist. I’d call that an over-reaction. Crowley gives a surprisingly civil response. This is just insane.

New York Times article on our hapless Transportation Security Agency: “The T.S.A. is much more talented in the theater arts than in the design of secure systems. This becomes all too clear when we see that the agency‚Äôs security procedures are unable to withstand the playful testing of a bored computer-science student.” Ties in with the wild legal investigations of Chris Soghoian, who pointed out an embarrassing security weakness with the very clever Boarding Pass Generator. And it also features some nice comments from security whiz Bruce Schneier.

I liked Chris Anderson’s articles this past week on the future of Wired magazine and media in general. “Editors catalyze and curate conversations that happen as much “out there” as on our own site.” Cool.

The Plain English Campaign has issued their annual awards for 2006. The worst abuses receive the Golden Bull. For example: “The first attribute of the art object is that it creates a discontinuity between itself and the unsynthesised manifold.” [via bad language]

Housekeeping vs. The Dirt (review: 3.5/5)

I sincerely hope that Nick Hornby’s writing isn’t as effortless and carefree as it reads. It just wouldn’t be fair. Especially because all he had to do for this book was read books (which he already does), and write about them (albeit under the cracking whips of the Polysyllabic Spree).
This book was especially good in light of the interview I read two days ago, where Chuck Klosterman mentions how criticism is really autobiography. There’s a lot to learn from Housekeeping. I really like how Hornby weaves his comments with a little background about how he came across the book, what kind of reading phase he was in, etc. Mix in a little self-effacing Britishness or some affectatious declarations (e.g. “I decided today that from now on I will only read books recommended by…”), and you’ve got a really fun package.