
EDWARD PFIZENMAIER (B. 1926)
Wollman Rink, Central Park, New York, 1954.
Score. I’ve been wanting to see Yeasayer for a while now.
An appreciation of the great public television painter. I loved this guy. “This was a man palpably at peace with himself, doing something he loved, wanting nothing more than to include you.”
Someone from R.E.M. was saying to me the other night, ‘Get nervous when you realize you can do it. When you can go through a whole evening having talked to 50 people and not remember a fucking word of any of it. Then you really are in trouble.’
Although I have felt compelled to write things down since I was five years old, I doubt that my daughter ever will, for she is a singularly blessed and accepting child, delighted with life exactly as life presents itself to her, unafraid to go to sleep and unafraid to wake up. Keepers of private notebooks are a different breed altogether, lonely and resistant rearrangers of things, anxious malcontents, children afflicted apparently at birth with some presentiment of loss.
“The heuristics on this list are easily memorable and implementable life problem-solving strategies — "quick and dirty” ones, if you like — that I’ve drawn from experience which, even if they prove shaky in border cases, still work most of the time.“

I kept a regular journal on this recent vacation, as I did so diligently on previous long hikes and last year’s trip to Iceland. This was a lazier trip than I’d ever done, so I wrote more than ever before. I may have have more to say about travel in general and and some Nicaraguan sites I saw in later posts, but here are some things that struck me…
And a few other amusing events:
To shift the structure of a sentence alters the meaning of that sentence, as definitely and inflexibly as the position of a camera alters the meaning of the object photographed. …. The arrangement of the words matters, and the arrangement you want can be found in the picture in your mind. …. The picture tells you how to arrange the words and the arrangement of the words tells you, or tells me, what’s going on in the picture.

Division of Labour: Higher education in the 21st Century in a single picture. I don’t necessarily see this as a bad thing… (via)
Passacaglia in C Minor. Aleksandr Hrustevich on the accordion playing one of Bach’s best. That’s just incredible. (via)
Organisation – Tone Float. 1970. Before they were Kraftwerk.
A new single-serving site from the gentlemen of Monday Night Brewery.