Misinformation in TV Drama Gains Credibility Over Time – Miller-McCune

New research finds we’re more likely to believe a piece of false information conveyed in a television drama after two weeks have passed.

Okay yeah yeah yeah you can find any number of things “a recent study” will tell you. But I like this because it makes me think of Tyler Cowen’s talk on being suspicious of stories, which I have listened to probably 6 or 7 times and will do so again starting… now. (via)

Misinformation in TV Drama Gains Credibility Over Time – Miller-McCune

Overcoming Bias : ‘Never Settle’ Is A Brag

Robin Hanson on Steve Jobs’ commencement speech:

Now notice: doing what you love, and never settling until you find it, is a costly signal of your career prospects. Since following this advice tends to go better for really capable people, they pay a smaller price for following it. So endorsing this strategy in a way that makes you more likely to follow it is a way to signal your status.

It sure feels good to tell people that you think it is important to “do what you love”; and doing so signals your status. You are in effect bragging. Don’t you think there might be some relation between these two facts?

Megan McArdle’s follow-up:

The problem is, the people who give these sorts of speeches are the outliers: the folks who have made a name for themselves in some very challenging, competitive, and high-status field. No one ever brings in the regional sales manager for a medical supplies firm to say, “Yeah, I didn’t get to be CEO. But I wake up happy most mornings, my kids are great, and my golf game gets better every year.”

She continues, talking about talking about her own awesome job with aspiring young folk:

Usually, what I tell them next is that it’s not a tragedy if they don’t do what they thought they wanted to do at 22; that they have more time than they think to figure out “what they want to do with the rest of their lives”; and that the world outside of school and words is more interesting than they probably suspect.

Similarly, Will Wilkinson on commencement advice:

“Find what you love and never settle for less” is an excellent recipe for frustration and poverty. “Reconcile yourself to the limits of your talent and temperament and find the most satisfactory compromise between what you love to do and what you need to do to feed your children” is rather less stirring, but it’s much better advice.

Overcoming Bias : ‘Never Settle’ Is A Brag

A man’s suffering is similar to the behavior of gas. If a certain quantity of gas is pumped into an empty chamber, it will fill the chamber completely and evenly, no matter how big the chamber. Thus suffering completely fills the human soul and conscious mind, no matter whether the suffering is great or little.

Viktor Frankl. Remembered this while I was sick the past few days.

The Code Duello: Rules of Dueling

The Code Duello, covering the practice of dueling and points of honor, was drawn up and settled at Clonmel Summer Assizes, 1777, by gentlemen-delegates of Tipperary, Galway, Sligo, Mayo and Roscommon, and prescribed for general adoption throughout Ireland. The Code was generally also followed in England and on the Continent with some slight variations. In America, the principal rules were followed, although occasionally there were some glaring deviations.

Rule 15. Challenges are never to be delivered at night, unless the party to be challenged intend leaving the place of offense before morning; for it is desirable to avoid all hot-headed proceedings.

The Code Duello: Rules of Dueling

Drive

Drive. I liked it about as much as I liked the book, which is to say it’s a damn fine way to pass a couple hours. Excellent opening scene, then putters just slightly. Much slower, quieter than I expected but the supporting cast keeps it alive. It’s like a lot of film noir in that way – much of the movie’s momentum is from the hero cornered, reacting to other people’s plans. Interpretive tip: it’s not about driving cars. Good soundtrack. The movie wouldn’t be the same (wouldn’t be possible?) without it. Gosling’s role makes me think of Eastwood’s roles as the Man With No Name and William Munny, and Delon’s in Le Samouraï and a little bit of Clooney’s in The American.

Well, we’ve had a good time tonight, considering we’re all going to die someday.

Steve Martin, closing out a night of stand-up. (via)

Flannery O’Connor’s Androgynous Prayer from the Emory University collection.

Oh universe which is the all of being–reverence to you–your rule be known–and acceded to in darkness as in light. Feed us by the truth of our need. Let us not be deluded that we may transgress or be transgressed upon. Deliver us from the violence of the false. Amen.

I was reminded of this when I read a 1949 Time article about Death Be Not Proud. The author’s dying son comes up with an “Unbeliever’s Prayer”:

Almighty God forgive me for my agnosticism; For I shall try to keep it gentle, not
cynical, nor a bad influence. And O! if Thou art truly in the heavens, accept my gratitude for all Thy gifts and I shall try to fight the good fight. Amen.

In which teenage Ben Franklin improves his writing by imitation

When I was reading this New Atlantis article on self-help, I found mention of Ben Franklin’s ingenious plan for becoming a better writer: imitation, summary, repeated practice. He set up lessons for himself, varying ways of copying from The Spectator

  1. One method was picking an essay, summarizing every sentence with a brief “hint”, setting those summaries aside for a while, and then trying to recreate the essays from his own notes. Then he’d compare to the original and see where he came up short.
  2. Sometimes he’d put these hints on separate sheets, jumble them all up, and set them aside for a few weeks. Then he’d try to re-order them and re-write the essay, and compare his with the original.
  3. To work on his vocabulary, he transformed the prose stories into poetry, waited a while so the memory was no longer fresh, and then turned them back into prose again.

Dang. Who has time for all that? Basically everyone with discipline: “My time for these exercises and for reading was at night, after work or before it began in the morning, or on Sundays, when I contrived to be in the printing-house alone, evading as much as I could the common attendance on public worship…”

He did this while still a teenager working at the printing shop. Here’s how Franklin tells it in his autobiography:

My father happened to find my [letters] and read them. Without entering into the discussion, he took occasion to talk to me about the manner of my writing; observed that, though I had the advantage of my antagonist in correct spelling and pointing (which I ow’d to the printing-house), I fell far short in elegance of expression, in method and in perspicuity, of which he convinced me by several instances. I saw the justice of his remark, and thence grew more attentive to the manner in writing, and determined to endeavor at improvement.

About this time I met with an odd volume of the Spectator. It was the third. I had never before seen any of them. I bought it, read it over and over, and was much delighted with it. I thought the writing excellent, and wished, if possible, to imitate it. With this view I took some of the papers, and, making short hints of the sentiment in each sentence, laid them by a few days, and then, without looking at the book, try’d to compleat the papers again, by expressing each hinted sentiment at length, and as fully as it had been expressed before, in any suitable words that should come to hand. Then I compared my Spectator with the original, discovered some of my faults, and corrected them. But I found I wanted a stock of words, or a readiness in recollecting and using them, which I thought I should have acquired before that time if I had gone on making verses; since the continual occasion for words of the same import, but of different length, to suit the measure, or of different sound for the rhyme, would have laid me under a constant necessity of searching for variety, and also have tended to fix that variety in my mind, and make me master of it. Therefore I took some of the tales and turned them into verse; and, after a time, when I had pretty well forgotten the prose, turned them back again. I also sometimes jumbled my collections of hints into confusion, and after some weeks endeavored to reduce them into the best order, before I began to form the full sentences and compleat the paper. This was to teach me method in the arrangement of thoughts. By comparing my work afterwards with the original, I discovered many faults and amended them; but I sometimes had the pleasure of fancying that, in certain particulars of small import, I had been lucky enough to improve the method or the language, and this encouraged me to think I might possibly in time come to be a tolerable English writer, of which I was extremely ambitious. My time for these exercises and for reading was at night, after work or before it began in the morning, or on Sundays, when I contrived to be in the printing-house alone, evading as much as I could the common attendance on public worship which my father used to exact on me when I was under his care, and which indeed I still thought a duty, though I could not, as it seemed to me, afford time to practise it.

What a badass.

The New Atlantis » History as Wall Art

Excerpt from the Annals of St. Gall, a yearly chronicle from an early-medieval Frankish monastery:

709. Hard winter. Duke Gottfried died.
710. Hard year and deficient in crops.
711.
712. Flood everywhere.
713.
714. Pippin, mayor of the palace, died.
715.
716.
717.
718. Charles devastated the Saxon with great destruction.
719.
720. Charles fought against the Saxons.
721. Theudo drove the Saracens out of Aquitaine.
722. Great crops.
723.

The New Atlantis » History as Wall Art

Ivan’s Childhood

Ива́ново де́тство (Ivan’s Childhood). This was my second TarkovskySolaris was amazing. This one is impressive, especially for his first film. It’s told non-linearly with occasional flashbacks, memories, dreams, and voiceovers creeping in. Ivan is a child orphan who, when we meet him, is doing recon/intelligence for the Soviets during World War II. This movie has a similar gritty take on the war that you find in The Cranes Are Flying. It’s less rhapsodic, but the black and white photography is just as ridiculously good. My favorites are the haunting nighttime scenes along the riverbanks and swamps, and the scenes in those Russian birch forests that are just impossible to make look bad. Criterion essay.

I’m not terribly interested in whether real, brain-chemically-defined Asperger’s is over- or underdiagnosed, or whether it exists at all except as a metaphor. I’m interested in how vital the description feels lately. Is there any chance the Aspergerian retreat from affective risk, in favor of the role of alienated scientist-observer, might be an increasingly “popular” coping stance in a world where corporations, machines, and products flourish within their own ungovernable systems?