Category: business
The Open Architecture Network is an online, open source community dedicated to improving living conditions through innovative and sustainable design. [via awln]
A fascinating story of pranking the 2007 Super Bowl half-time show. Sometimes security really is only theater. Hilarious and frightening.
The California Milk Processor Board collects the top 100 rip-offs of their “Got Milk?” advertising campaign.
Dreaming in Code (review: 4.5/5)
“Software is a heap of trouble”. That’s the abridged version of this book.
You’ll find the full story in Scott Rosenberg‘s fantastic Dreaming in Code: Two Dozen Programmers, Three Years, 4,732 Bugs, and One Quest for Transcendent Software. One part of the tale follows the progress of the Open Source Applications Foundation project called Chandler; the other wends back through the history of computer science and software development. The story takes a good chunk of paper, around 350 pages + notes. None of it is terribly technical.
Chandler started with Mitch Kapor (known for Lotus 1-2-3, among other things) and the dream of the ultimate personal information organizer. E-mail, scheduling, calendars, notes, workgroup sharing & more, all in one cohesive and flexible system. In light of Rosenberg’s Law and its corollary (“Software is easy to make, except when you want it to do something new. And the only software that’s worth making is software that does something new.”), Chandler has proven a daunting task. It’s been over 4 years since Rosenberg started observing the OSAF team. As of this writing, Chandler is currently still only in version 0.7alpha4.
That creeping glacier of code raises the question: is it the team or just the nature of the job? Probably both. Rosenberg uses the hiccups and foibles of the OSAF team to explore some of the recurring issues of software development: the inherent mental difficulty of abstraction on a mass scale, the programmer’s tendency to “glance at existing code and declare authoritatively that they could do it themselves, faster, easier, and better,” the mythical man month, attempting progress without planning, the discouraging truth of Hofstadter’s Law, and the need to reinvent the wheel (and fire and stonecutting and agriculture, etc.). Luckily, Rosenberg doesn’t pose the Chandler team so much as the butt of the joke but the foil for the argument: software is hard.
One interesting thread in this book is the idea of programming as creative writing. Quoting Richard Gabriel:
We should train developers the way we train creative people like poets and artisits… What do people do when they’re being trained, for example, to get a master of fine arts in poetry? They study great works of poetry. Do we do that in our software engineering disciplines? No. You don’t look at the source code for great pieces of software. Or look at the architecture of great pieces of software. You don’t look at their design. You don’t study the lives of great software designers. So you don’t study the literature of the thing you’re trying to build.
The software industry doesn’t have a strong sense of history. Part of that lack is cultural—many just don’t care that much—and part of that is a necessary commercial evil whereby code is protected to protect profits. But I love that idea of the literature of software, the somewhat hidden heritage. This brings to mind the idea of artist qua collector and the idea of amassing influence. But for better or worse, there’s already way too much to learn just to keep up with the present. So the programmers plug on “borne back ceaselessly into the past,” if you’ll pardon the drama.
After Dolce & Gabbana decided to pull one of their recent ads, Mike Davidson tries to pinpoint precisely what elements make it offensive. Setting aside the inevitable offended reaction, there are some pretty good comments on the whole visual rhetoric. I think it’s interesting that you can change the whole tone of the work by adjusting or tweaking a few parts of the whole.
Gawker analyzes why your New York Times Magazine always falls apart. The problem lies in the staple/area ratio.
I love the Onion: Apple Unveils New Product-Unveiling Product.
Whose art is it? Interesting essay in Newsweek about museum acquisition and returning artworks to their countries of origin:
Why should objects from ancient civilizations go back to modern nations that didn’t exist when the art was created? Yes, the law “must be obeyed,” he said, but antiquities “are the patrimony of all mankind.” In other words, who really owns the past?
The Airchive is a huge repository of old airline ephemera. I like the old timetables and route maps, like these brochures from Delta. This Delta beverage ticket from makes me think of the Jetsons.
Wayne Gerdes can get 59 miles per gallon of gas out of a 2005 Honda Accord… and he’s recorded 181mpg in a Honda Insight.
A person in California tried to rent out Beth Ann Bovino’s New York apartment through Craigslist. A classic 419 fraud. Although things didn’t turn out so bad, I hope I never get sucked into a news frenzy like Bovino did.
Photos of vending machines in Japan. Newspapers, underwear, beetles, fried foods. Oh, and drinks.
I like the Ridiculous Business Jargon Dictionary. A new personal favorite is “acluistic: the state of being completely without a clue.” And percussive maintenance is good, too.
Wikinomics: How Mass Collaboration Changes Everything (review: 2.5/5)
Wikinomics: How Mass Collaboration Changes Everything was pretty much a disappointment. I wouldn’t go so far as to call it bad. I was just hoping for a less history and a more speculation. Unfortunately, if you’ve been paying a moderate amount of attention to the internet/ social software/ business world for the past few years, you won’t find much new information.
Don Tapscott and Anthony Williams have done a good job of rounding up the big trends, their so-called Principles of Wikinomics: openness, peering, sharing, and acting globally. Much of the work is a sort of biography of these paradigms and the companies & products that embody them. You probably know their names: Linux, Wikipedia, Google, Flickr, IBM, BMW, Best Buy, etc.
Each chapter reviews a new trend, fleshes out the history and summarizes by way of canned, italicized guidelines for business. I wish I hadn’t returned the book to the library already or I’d quote a few. Anyway, they also mix in a few Trendwatching-like neologisms, like “Ideagoras” and “New Alexandrians”. By far the most intriguing part of the book was Chapter 9, discussing the “wiki workplace.” Perhaps that’s because the idea is still the most nebulous and little-tested: “We are shifting from closed and hierarchical workplaces with rigid employment relationships increasingly self-organized, distributed, and collaborative human capital networks that draw knowledge and resources from inside and outside the firm” That’ll be an interesting process to see over the next few years. I think free agent/ consultant/ collaborative culture will become more and more popular.
“The problem with kitsch is deeper than its appeal to the mob. Kitsch is an insult to the purposes of art.”
Starbucks Chairman Howard Schultz has some interesting comments on what Starbucks has become, and what it should be. “Some people even call our stores sterile, cookie cutter, no longer reflecting the passion our partners feel about our coffee. In fact, I am not sure people today even know we are roasting coffee.”
Mr. Deity is a bi-monthly video series that looks at God and the Universe with a smile (and sometimes, a wink). In the first film about Creation God decides which evils to nix and which to keep. Great soundtrack, too.
I like Cameron Marlow’s idea for city guides, identifying socio-cultural twins in different cities across the nation: “IÄôm an Atlantan in Chicago. WhereÄôs Little Five Points?” Sounds like a good crowd-sourcing project.
Steve Jobs suggests that there is an alternative to DRM for music, called… no DRM for music. Brilliant! Glad to see someone with some real clout advocating what millions of consumers have been cranky about for years.