Koyaanisqatsi

I watched Koyaanisqatsi this weekend. It’s got a lot of cool footage and overall it was worth watching. But part of the problem with the message (that we live a “crazy life,” a “life out of balance”) is that it’s so dependent on the soundtrack.
A lot of it made me think of those time-lapse videos I saw on kids TV when I was little. Seeing a factory in fast motion was cool, not cause for worry. I was glad I found this Koyaanisqatsi: Redux which matches a portion of the film to a goofy, upbeat soundtrack, and contrasts it with a more dramatic string arrangement in the middle (musical transitions are around the 2-minute and 4-minute marks). I like parts of Philip Glass‘ original soundtrack for the film, and I think it’s kind of spooky-cool how the soundtrack can direct your response to what you’re seeing. But it’s too much of an emotional shortcut.

There are a lot of excerpts from the film on YouTube, like the original trailer, the demolition of the Pruitt-Igoe public housing in St. Louis, scenes from New York, and the famous closing scene that reprises the opening.

A short NPR story on the names on paper bags by Barbara Klein: “One of the names, ‘Alan Rumbo,’ intrigues her. She traces the bag back to its maker, and actually gets to talk to the line worker at the paper bag plant, Rumbo himself, who explains how the name on the millions of bags he makes propelled him to hero status with his kids.”

The letters of Flannery O’Connor and Betty Hester

Emory University held a Flannery O’Connor celebration this week. The highlight was the first public exhibition of the nearly 300 letters between Flannery O’Connor and Betty Hester, which had been under seal for the past 20 years. Brenda Bynum gave a dramatic reading of O’Connor’s letters. I was late for it, unfortunately, but what I saw was fantastic. In addition, lots of good material from her life is on display at Woodruff Library. Letters, notes, photographs, and things like her complaints about the cover chosen for A Good Man Is Hard to Find. I love it when schools do things well.
Bonus: Georgia Public Broadcasting had a show about O’Connor in August. And earlier this year NPR talked with Steve Enniss, the director of the Manuscript, Archives, and Rare Book Library, about the O’Connor–Hester relationship.

I would very much like to own a Monome 256. It looks like just the kind of wonderful toy I need* these days. They mentioned the beautiful woodwork was from Atlanta—I wonder if that’s Matt Soorikian‘s craftmanship?
*i.e., want