A Cruel Country by Roland Barthes : The New Yorker

“Journal excerpts by Roland Barthes about mourning his mother, Henriette, who died at eighty-four, in October, 1977.” It’s a real shame this one is behind a paywall. Favorite bits:

What I find utterly terrifying is mourning’s discontinuous character.

And:

Mourning: not a crushing oppression, a jamming (which would suppose a “refill”), but a painful availability: I am vigilant, expectant, awaiting the onset of a “sense of life”.

And also:

1st mourning
false liberty
2nd mourning
desolate liberty
deadly, without
worthy occupation

A Cruel Country by Roland Barthes : The New Yorker




Vanity sizing for men < PopMatters

On the recent Esquire pants-size exposé:

Retailers’ facilitating the illusion that we are thinner than we are is a by-product of their chief goal, which is to force us to try on every item of clothing we are considering buying and let the endowment effect work its behavioral magic. Trying something on invests us in completing the purchase to a much greater degree—we’ve gone to all that trouble already and want something to show for our effort—and it also habituates us to the idea that we already own the thing we put on, and to not buy it feels as though we have lost something or had something taken away from us. So the sizes are just very vague guidelines to help us know which items to take to the fitting rooms.

Come to think of it, the endowment effect is probably another reason smart parents tell kids not to touch anything when they go in the store.
Vanity sizing for men < PopMatters





La Baie des Anges (Bay of Angels)

La Baie des Anges (Bay of Angels). A man, new to the casino world, falls in love with an older, compulsive-gambling veteran. A simple story well-told. I have no idea if he’s seen it or not, but I think some of Woody Allen’s DNA comes from this strand. Also, given the up and down nature of gambler’s luck, you can’t help but wonder if the ending would be different if the credits rolled a little later. Such is love. Recommended!


The Story Behind James Carr’s “At the Dark End of the Street”

austinkleon:

The story behind James Carr’s “At The Dark End Of The Street”:

historyofsoul:

It amazes me that THIS is the story behind one of the best soul songs ever recorded:

It was the Summer of ‘66, and Memphis was chock full of DJs in town for a convention.  Songwriter Dan Penn and session guitarist Chip Moman were taking advantage of the situation, cheating Florida DJ Don Schroeder out of his money in a card game.

They wrote the song about two lovers in an illicit affair while on break from the game.  ”We were always wanting to come up with the best cheatin’ song ever,” Penn explained.

They went to Quentin Claunch, partner in Goldwax Records and a fellow alumnus of the Muscle Shoals music scene, and asked to borrow his hotel room for a half hour.  He agreed, on the condition that whatever song they wrote, they give it to Claunch for his singer, James Carr.  A deal was struck and the rest is history.

Terrific song. A Youtube search will show you all the cover versions out there.

One of my favorite new-to-me songs from earlier this summer.

(Source: https://www.youtube.com/)


Put This On Visits The Marketplace of Ideas

http://mlarson.tumblr.com/post/1076079432/audio_player_iframe/mlarson/tumblr_l896r4VPFW1qa2j8c?audio_file=http%3A%2F%2Ftraffic.libsyn.com%2Fcolinmarshall%2FMOI_Put_This_On.mp3

putthison:

Adam and I visited the wonderful public radio program (and podcast) The Marketplace of Ideas, and they’ve just posted the show.  A lot of in-depth talk both about our philosophies of dress and about the behind-the-scenes of Put This On.

My favorite idea from this interview: style qua semiotics.


Adam Phillips on the happiness myth | Books | The Guardian

Happiness and the right to pursue it are sometimes wildly unrealistic as ideals; and, because wildly unrealistic, unconsciously self-destructive.

Interesting essay with some good tidbits. This bit on pathologies could also apply, more mildly, to how we react to differing opinions:

We tend to pathologise the forms of happiness we cannot bear.

And on education:

There are, for example, only two reasons for children to go to school – apart, that is, from acquiring the werewithal to earn a living: to make friends, and to see if they can find something of absorbing interest to themselves.

Adam Phillips on the happiness myth | Books | The Guardian



Interview with William Gibson - Viceland Today

What we call terrorism is always asymmetric warfare. You’re a small group with no reputation, and you start covertly blowing up or murdering the people of a big group, like a government or a nation-state or a whole race. And you can’t just do it and then go and do the next one. You have to do it, and then go and do your PR. “We just bombed your mall. It was us.” And then maybe you do it, and some other guys, these upstart assholes across town, are calling up the news and saying, “We did it! We bombed the mall!” So then you have to get your PR guy on the phone and say, “No, they’re full of shit. WE bombed the mall.” So it’s about branding to that extent.

Interview with William Gibson - Viceland Today






Ars longa, vita brevis, occasio praeceps, experimentum periculosum, iudicium…

Ars longa, vita brevis, occasio praeceps, experimentum periculosum, iudicium difficile.

Hippocrates. We know it best as the phrase “life is short”, but I didn’t know that was shortened from a longer, more interesting line: “Life is short, the art long, opportunity fleeting, experiment fallible, judgment difficult.” Ars longa, vita brevis - Wikipedia, the free encyclopedia.