You’re Next. This one got on my list right after I finished The Guest for the first time. Solid home invasion horror. The story details for this sort of thing are almost never satisfying, but the trip is fun.

The Lobster. Oof. This is brutal. Deadpan funny and dark as can be. Seems like so it’s fully thought through and considered. I need to find more by this Lanthimos guy.

Knight of Cups. After I watched it I wrote some snarky tweets rolling my eyes at this movie having beautiful people walking aimlessly. I meant it, and I also still liked it. The interiority that’s getting stronger in his films is interesting for me. Not so much just watching the characters but riding along with them. Also, he’s the only person making weird idiosyncratically Malickian movies with big names, whenever he feels like it. However he’s getting it done, respect. Filed under: Terrence Malick.

The Grey. I wish the poem at the heart of the movie was better. For me, there’s not quite enough there for the melodrama it’s asking for. I think maybe it would have been better without knowing the reasons our hero is so dour. But of course I like the survival bits. The surprises and set pieces are all great.

Miami Vice. I love this movie. The pathos was stronger this time around, the resignation. On each watch I also become a little more resentful that Foxx doesn’t have a bigger role. His relationship with Crockett has something to offer the story, but we don’t see it much. I’d be up for another 12 minutes with the two of them on screen. Filed under: Michael Mann.

Punch-Drunk Love. I put this one off for a long, long time. I started very skeptical, but it won me over. Brings out sides of Sandler I never knew were there, and gotta respect a movie that drifts so freely from convention when it feels right. My PT Anderson power rankings:

1. The Master
2. Hard Eight
3. Punch-Drunk Love
4. There Will Be Blood
5. Magnolia
6. Boogie Nights

Cameraperson. Man I loved this one. A collage of footage from director Kirsten Johnson’s work on other films. It works as an experience of the lives she documents and as seeing through her own eyes, and as wrestling with the choices of what or what not to show and how or how not to tell these stories. Highly recommended.

Indiana Jones and the Last Crusade. I remember having the biggest crush on Dr. Elsa Schneider as a kid and feeling very conflicted about it. It’s a fun ride, but also felt a little frustrating sometimes when they’re playing for laughs.

Indiana Jones and the Temple of Doom. I forgot how weird this movie was, is. Breakneck zany with no patience for sitting around asking questions.

Raiders of the Lost Ark. It holds up the best of the original trilogy. I feel Iike the Marion Ravenwood character still hasn’t gotten the attention it deserves – Karen Allen is great. Watching as an adult you realize that Indy is… often not very good at what he does. Still gorgeous and fun and it’ll be that way for years to come.