Big Hero 6. It’s good, at times genius, but it’s a mixed experience. I am most disappointed (ugh, so deeply disappointed) that the most fun gimmick in the movie – that there’s this lovable squooshy vinyl robot – is soon wrapped up in armor that disguises what makes him interesting. There are a few great gags that come out of his body and presence. Shame to waste opportunities for more. (I still don’t know anything about the comic books that this movie is working from, by the way. Not sure how it compares.) I also like the parts where the movie was self-consciously “filmed” in big-budget action movie sort of style. I suppose I should also admit that I fell asleep for a few minutes.

Jack Ryan: Shadow Recruit. Eeehhhhhhhh. Too many of these people have too many skills, so it all feels overstuffed and much less tense than how I remember the Baldwin/Ford movies. I did enjoy seeing the covert meetings in barren movie theaters, emptied office buildings at night, and lonely forest roads. Some pretty solid Nokia product placement. If I see one more movie where a (heavy finger quotes) “trained assassin” doesn’t know his bullet count… One of my notes while watching this movie:

intense typing

When it comes to rebooted properties featuring Chris Pine, this one ranks behind the first and second Star Trek movies.

austinkleon:

“READ A FUCKING BOOK” hacked LED street sign in downtown LA

According to the Paris Review, “Indie booksellers are reporting a noticeable uptick in sales.”

I obviously approve this message.

In a World…. Loved it (again). It’s so nice to see a movie with such… complete characters. Driven, charming, obnoxious, lovable, self-defeating. All of it. And such a good momentum through the whole thing ‘til it smashes right through the glass ceiling. Very much recommended.

Hard Eight. Philip Baker Hall is awesome, and so is John C. Reilly. Love how Reilly becomes a poor imitation of the expert. I love the moments of still life, coffee and pie and cigarettes and such. I felt a bit let down by the reveal. I guess you’d have to steer the climax a bit differently without it, but I didn’t really need a reason for how the story opened. I was totally on board with this strange characters. I think The Master is my favorite of Paul Thomas Anderson’s, then probably this one and then There Will Be Blood and then Magnolia? Hard to say. They’re all pretty solid.

slaughterhouse90210:

“Nothing has topped the way men shake her hand and look her in the eye, what it’s like to be able to call a man a chickenshit to his face and get away with it, to mean it, to feel free and dominant and in control of your life.”
—Megan Mayhew Bergman, Almost Famous Women

All Is Lost. Loved it. Perfect movie for the messy, rainy weather of late. Redford’s sailboat is hit by a freight container… and then he deals with it. Minimal script and music, the focus is on inventiveness, improvising, and the mundane aspects of making do. I appreciate that there weren’t any gimmicks that felt too dumb or contrived, like, I dunno, getting tangled in the ropes or something. It’s also a great example of how much more thrilling it can be to focus on the person facing peril, and how they react, rather than show a huge CGI wave vs. a tiny boat. I love the couple moments where he’s… enjoying himself, somehow? A sunset. A simple dinner. And there’s a beautiful, heartbreaking moment before he sends out a communication where he pauses – not quite ready – and then follows through. Other good “peril at sea” movies: Captain Phillips and Life of Pi. Other good survival films: Gravity (+ Aningaaq). The Grey. 127 Hours. Another good movie focusing on one actor, one vehicle: Locke. Another good movie with an older actor trying to get out of trouble: Arbitrage.

If I were wise enough to know the difference between what I can and can’t change, would I even be who I am?

Veronica Mars. It opens with an explanatory montage narrated by Bell – it’s a nice introduction for newbies and also helps boost the anticipation/nostalgia for veterans. Even with that lead-in, though, I don’t think you could get much out of the movie without watching a good bit of the TV series (which you should absolutely, definitely do as soon as possible). Lots of inside jokes, references, running gags, cameos, and other bits of fan service. There were a pair of legitimately shocking moments in there, too. The great writing that sustained the show carries over here, and the key relationships – Veronica and her dad; Veronica and Logan – are as sharp as ever. Love the Lou Rawls soundtrack during one of the climactic scenes. But alas, it’s not the TV show, and two hours simply is not enough for a challenge worthy of Veronica, and there’s not enough time for beloved supporting characters to remind us why we love them so much. Another great movie that revolves around noir-ish high school drama is Brick.

I re-read Marcus Aurelius’ Meditations a couple days ago, a New Year’s tradition. I also spent some more time digging in the appendices in this book, and comparing my notes from 2013. And, as I did last year, I tweeted some quotes and paraphrases that struck me as I read it this time around. A few of those, with book/chapter references:

Expecting nothing, shirking nothing, […] and a heroic truthfulness in all that you say and mean – then you will lead a good life. And nobody is able to stop you. (3.12) Whenever you want to cheer up, think of the admirable qualities and virtues of your friends. (6.48)

That last one makes me think of Seneca, especially, and some other good stuff filed under my friends tag.

Do not be ashamed of being helped. […] It is human nature to love even those who trip and fall.“ (7.7 and 7.22) Without frenzy, without apathy, without pretense. (7.69) Prayer about things you want in the world < Prayer to be free from fear, desire, regret. (9.40) Kindness is invincible. (11.18.9)

I appreciated his personal journaling this year as much as ever, but also felt like some things were missing – because, selfishly, he’s writing for himself and not for me specifically. But I take some comfort in seeing him grapple with his own shortcomings as I work on my own, and try to live well despite them. Be sure to check out Austin Kleon’s thoughts from his own re-reading. I’ve got another re-read coming up shortly, just as soon as the postman delivers the Hays translation that Ryan Holiday recommends. Filed under: Stoicism.

I read a lot of Ben Bova’s Cyberbooks, but not all of it. There is a certain kind of joy in reading about science fiction that’s no longer fiction. In this case, ebooks and tablets and the future of publishing as seen from 1989. Ultimately it was a bit more light and meandering than I wanted. DNF.

Strange Days. The last movie I watched in 2014. The setting is a dark and messy L.A. where the go-to underground drug is VR “playback” of other people’s recorded first-person thrills. All the stuff with rampant police abuse, violence for entertainment, and mediated experience seemed relevant today. It’s one of those where I love the world they built in the early parts of the movie, but didn’t have much interest in the story they developed from there. Love the closing song. My Kathryn Bigelow rankings:

1. Zero Dark Thirty
2. Point Break
3. The Hurt Locker
4. Strange Days

She’s really damn good.

The One I Love. Highly recommended, a lot of fun. I wish this one had made a bigger splash. A couple on the rocks goes on a retreat to focus on their relationship. Hijinks ensue. I love movies like this that focus on just a couple cast members, and you get to see their chemistry and talent carry the whole thing. Moss and Duplass are awesome.

Le Week-End. Fast-forward Linklater’s Before trilogy 40 years into the future, and you’ll get the idea. The silly parts are much sillier, though, and the dark parts even worse. Jeff Goldblum’s character is overwhelming and terrible and so much fun to watch.