In a tone that grew more defiantly nonchalant with every update, the pilot advised us that some of our bags would arrive on a future flight. Even with routine debacles such as this it’s rare to be promised future bullshit while the current bullshit is still very much in progress. Sorry ‘bout that, folks.

Michelle Orange, on the joys of airline travel.

You can never be both a writer and a politician – at least not a good writer. A writer must always tell the truth as he sees it, and a politician must never give the game away. Now, these are two opposing forces.

NPR Fresh Air remembers Gore Vidal with excerpts from two Terry Gross interviews (via explore-blog)

The Making of OutKast’s Aquemini | Creative Loafing Atlanta

Andre 3000:

When you rap and say anything kinda conscious, all the conscious people approach you. So after ATLiens I got it all – from books on sex to [metaphysics] and religion. But you also get introduced to a lot of fake phony ass people, and I addressed it in the song. You find some of the fakest people with dreads pouring oils on you. And it’s really kind of mind-blowing when you’re a young person and you start to find out some of this is bullshit, so then you’re just out there searching.

(via)

The Making of OutKast’s Aquemini | Creative Loafing Atlanta

It is hardly surprising to find that the two areas of human enterprise most concerned with sincerity as opposed to truth–namely, politics and advertising–are also the two areas most steeped in bullshit. Or would it be better to say that politics and advertising are the two areas most concerned with the appearance of authenticity? This might be a distinction without a difference.

Art Bollocks – Bryan Ashbee

The art market is not a free market. It’s rigged; hugely distorted by the presence of public subsidy – the grants and funding available to organisations and individuals deemed to be producing “significant” work. To get access to this, it’s even more important that artists create the right theoretical discourse to surround their work.

Also known as bullshit. A handy guide for writing your own art bollocks:

A useful catch-all formula can be applied to all of this work, which I freely offer here, without charge:

“X’s work
{wryly/mockingly/cunningly/innocently/intelligently}
{deconstructs/subverts/disrupts/parodies/appropriates/undermines}
{popular notions/stereotypes/archetypes/conventions/the mythology/strategies}
of
{gender/representation/style/sexuality/commodification/identity}
by …”
followed by a nod at whatever images or objects are assembled.

(via)
Art Bollocks – Bryan Ashbee

Wine descriptors tell us more about a bottle’s price than its flavor. – By Coco Krumme – Slate Magazine

“Graphite. Black currant. Incense. And camphor?” This is a great read. You’ve probably read something similar about wine bullshit before, but this is probably better. Interesting that more expensive wines are described with more specific words.

When it comes to invoking elegance, foreign and complex words have a natural advantage. Cigars and truffle conjure up prestige and luxury. Meanwhile, a little-known berry or spice conveys the worldly sophistication of the critic, which the drinker can share. For a price.

Wine descriptors tell us more about a bottle’s price than its flavor. – By Coco Krumme – Slate Magazine

The better the singer’s voice the harder it is to believe what they are singing.

David Byrne (via ). I heartily disagree, although it is good food for thought and I don’t necessarily think the opposite is more accurate. What’s more interesting is how/why these kinds of aesthetic details become/remain valuable to us.