Star Trek VI: The Undiscovered Country. This one is intense! Such a good way to close out with the original stars. It seems to have the most traditional blockbuster feel: political intrigue, betrayal, blatant emotionalism, heroes in peril, a mad dash to prevent calamity, last-minute rescues, one-liners and philosophical banter. I think this one also built up the biggest sense of dread and risk out of the series. Also a nice thematic change, rather than exploring the frontiers of space and encounters with strange beings or energy forms or whatever, they’re easing into universal civics, basically, and trying not to let their baggage screw it all up. Same director as the excellent Star Trek II… and I think this one gives it strong competition.
Star Trek V: The Final Frontier. The star trio is reunited! Kirk is also more bad-ass than usual. Director’s privilege? A good bit of the humor attempts fall flat, but I think the story is decent overall. The camera in this one is definitely more fluid than the previous entries in the series. Lots more long, arcing movements and mobile in-your-face stuff. I think the soundtrack was influenced by Scheherazade. If I had to describe the Star Trek films in one word, it would be idiosyncratic. The changes in tone, the weird plotlines, the ambivalence toward traditional villains… there’s a lot you don’t see in other movies. Star Trek rankings so far? Tough call, but maybe:
- Star Trek II: The Wrath of Khan
- Star Trek IV: The Voyage Home
- Star Trek: The Motion Picture
- Star Trek
- Star Trek V: The Final Frontier
- Star Trek III: The Search for Spock
Star Trek IV: The Voyage Home. Yeah, the one with the whales. The plot is loony, funny, and it’s a great change of pace from the previous three. The fish-out-of-water scenes are a nice chance for the lead actors to separate and shine a little bit. This film also has some of the most trippy visuals out of the Star Treks I’ve seen so far. Highly recommended.
Star Trek III: The Search for Spock. The team goes rogue! But there is a pervasive sadness here. Even the end of the mission is bittersweet. I enjoy more and more how much conversation there is in Star Trek, even when it’s super-explanatory. Christopher Lloyd as a dramatic Klingon is awesome.
Star Trek II: The Wrath of Khan. It really is really good. Best of the Star Treks I’ve seen so far, for sure. Parable aside, one thing I’m growing to appreciate in this universe is the space battles. There aren’t always hordes of TIE fighters and X-wings buzzing in frantic clouds. Just a couple gigantic-ass ships lumbering around. You’ve got torpedoes, phasers, shields, and engines. Pick one, because you can’t go full power on everything. Every choice has a cost.
Star Trek: The Motion Picture. And so it begins. I’m not sure if I want to watch all of the Star Trek movies, but at least the first few and the most recent one. Spoiler: there are no dramatic gun battles or explosions at the climax. This is mostly brainy. I thought the 10-minute interlude with Starship Enterprise flyby porn was a nice touch. I miss the days when they’d build big crazy sets instead of using CGI. The soundtrack here has a case of Last of the Mohicans-itis: when in doubt, play the rousing main theme. I didn’t remember that I’d seen this one until the last scene, which I take as a good sign. Nice twist.
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William Shatner reads Palin’s speech as poetry (via @davehyndman):
And getting up here I say it is the best road trip in America soaring through nature’s finest show. Denali, the great one, soaring under the midnight sun. And then the extremes. In the winter time it’s the frozen road that is competing with the view of ice fogged frigid beauty, the cold though, doesn’t it split the Cheechakos from the Sourdoughs?
And then in the summertime such extreme summertime about a hundred and fifty degrees hotter than just some months ago, than just some months from now, with fireweed blooming along the frost heaves and merciless rivers that are rushing and carving and reminding us that here, Mother Nature wins. It is as throughout all Alaska that big wild good life teeming along the road that is north to the future.
See also the poetry of Donald Rumsfeld and the Clinton/Lewinsky Poetry Under Oath.