Since my son was born I realized: soon, he’ll be three-and-a-half. Soon, he’ll be able to see who I was. And shortly after that, what he’ll be reading in the oldest blogs will be closer to his age than mine. Now, I write for him.

Behind the Paywall: How New York Times Articles End | VF Daily | Vanity Fair

“Here is a list of popular endings to New York Times pieces. It’s totally free.” A few of my favorites… (via)

  • The apartment is really that small, and people really do live there, but somehow it just works for them.
  • The old restaurant/bar is unaffected by changes to its neighborhood.
  • Though restaurant’s use of sustainable ingredients attracts a young, creative clientele, buttoned-up, more conservative patrons will also enjoy the food.
  • The neighborhood’s recent gentrification has not always been a smooth cultural and economic transition for longtime residents.
  • The situation in that country you’ve been hearing about is even worse than you thought.
  • It’s not worth it to spend 36 hours in a place to which roundtrip airfare is $2,500.
  • Maureen Dowd disapproves.

Behind the Paywall: How New York Times Articles End | VF Daily | Vanity Fair

There are three kinds of critics: those who have importance; those who have less importance; those who have no importance at all. The last two kinds do not exist: all critics have IMPORTANCE.

[…]

How could one imitate a Critic? I ask myself that. Well, at any rate, the interest in doing so would be rather thin–very thin: we have the original–HE IS SUFFICIENT.

A Hymn in Praise of the Critics: Those Whistling Bell-Buoys Who Indicate the Reefs on the Shores of the Human Spirit, by composer Erik Satie. Vanity Fair, September 1921 [pdf]. If you only know him via his Gymnopédies, you might not expect him to be such a goofball.