Carol

Carol. I feel like there’s enough there for me to like it more than I do, but it wasn’t for me. I don’t regret watching Blanchett and Mara for a couple hours, though.

12 Years a Slave

12 Years a Slave. Not sure how to talk about this one. Hard to watch. At times it is very, very on-the-nose. If you’ve seen Steve McQueen’s Shame and Hunger, this will be no surprise. But it’s strange that it doesn’t feel… dramatic. It is focused. It is facts. It also makes you feel some of the same unease (the score is a huge contributor here). The movie is all in the protagonist’s perspective, which unfortunately means everyone else can seem a little flat (despite the cast being awesome), or merely functional. But it also puts you in the center, witnessing the moral bargains and compromises, comparing and contrasting how each person manages an impossible situation, and perhaps suggesting the futility of passing judgment on how each copes. A couple more things to note. I’m not sure if it was intentional or not, but you don’t get the sense of time passing, though it’s ostensibly twelve years we see. Could definitely be by design – the monotony and sameness by design – I’m just not sure. And I gotta say, I’m not thrilled with Brad Pitt’s late appearance. He’s got too much star power to show up so late, in such a role, for so short a period. I couldn’t quite get used to him. It’s not his fault, though. Anyway, good movie. The contrast with Django Unchained could not be more stark.

Mud

Mud. Best summarized in this review I stumbled upon where I lifted the still above: “Mud reminds us that the most special effect is compelling characters caught in a vexing situation.” Check and check. I loved this movie. Jeff Nichols is on a roll right now, after directing Shotgun Stories, and then Take Shelter, and then this. I’m excited for whatever is next.