Eve’s Bayou. One of my absolute favorites from Ebertfest. Maybe my favorite, period. Stands out superficially with some impressive child actors, female leads throughout, and no white people. I love how it accumulates little moments. There’s a vibe here I’m not savvy enough to describe other than “very 90s” that’s very… old-fashioned. Full orchestra. Soft film image. Evening glow. It felt like a play at some points, with some of the momentum and delivery in the dialogue, and how the scenes were staged. The scene where Mozelle tells the story of her husband confronting her lover is a little masterpiece. Highly recommended!
Mark Larson 