Miami Vice. This second time around, I was more struck with 1) the noir-iness of the whole thing, and 2) the emphasis on non-verbal communication (gesture, expression, eye contact exchanges, posture, observation & reaction) instead of dialogue. It’s pretty compact storytelling. My first review – I might bump it to number 4 or 5 in my Michael Mann rankings now. Roderick Heath’s review is a must-read.
Mark Larson 