MELANCHOLIA or, The Romantic Anti-Sublime | SEQUENCE 1.1 (2012) . Wonderful long, long essay on my favorite Von Trier film.

A great and very wide-ranging study of Lars von Trier’s recent film, one that touches on object-oriented ontology, feminist representation, contemporary film melodrama, the Sublime, non-normative filmmaking, as well as the end of the world.

What more could you ask for?