This is very interesting.
Think instead of a short story written with playback in mind. Written for playback. Typing speed and rhythm are part of the experience. Dramatic deletions are part of the story. The text at 2:20 tells you something about the text at 11:13, and vice versa. What appear at first to be tiny, tentative revisions turn out to be precisely-engineered signals. At 5:15 and paragraph five, the author switches a character’s gender, triggering a chain reaction of edits in the preceding grafs, some of which have interesting (and pre-planned?) side effects.
Mark Larson 