Rita Hayworth – Gilda’s First Appearance. When I saw it featured in Visions of Light, which just showed the hair-tossing and winning smile, this bit got a nice laugh out of the audience. This was in the section of the documentary about Hollywood starlets and their symbiotic professional relationships with cinematographers who knew how to make them look great. Actresses and photographers would look out for each other. And then when I watched Gilda last night and saw this clip again, after a 20-minute intro… It’s still silly, but… I mean… dang.
I don’t want to say it was cool, [but] the girls was cool in school.
Woman at the Piano by Philip Evergood, 1955.
Her bottom is so beautiful that once as she crossed the room to the cooler I felt my eyes smart with tears of gratitude.
mr youse needn’t be so spry by Edward Estlin Cummings
mr youse needn’t be so spry
concernin questions arty
each has his tastes but as for i
i likes a certain party
gimme the he-man’s solid bliss
for youse ideas i’ll match youse
a pretty girl who naked is
is worth a million statues
It seems to me that making escapist films might be a better service to people than making intellectual ones and making films that deal with issues. It might be better to just make escapist comedies that don’t touch on any issues. The people just get a cool lemonade, and then they go out refreshed, they enjoy themselves, they forget how awful things are and it helps them—it strengthens them to get through the day. So I feel humor is important for those two reasons: that it is a little bit of refreshment like music, and that women have told me over the years that it is very, very important to them.
Cassidy had no idea what made Andrea so different, but he could sense that she had somehow survived twenty years as an attractive female in the republic without having had her mind reamed out by mama, the Junior League or Helen Gurley Brown.
If you’re dancing and not within two people of a girl, you’re doing it wrong.
Men Without Work | Mother Jones
WOMEN NEVER LEAVE YOU. More of Austin Kleon’s de-signs. And more.
The Thurber & White send-up on the knee phenomenon:
Simply stated, the knee phenomenon is this: occasions arise sometimes when a girl presses her knee, ever so gently, against the knee of the young man she is out with… Often the topic of conversation has something to do with it: the young people, talking along pleasantly, will suddenly experience a sensation of compatibility, or of friendliness, or of pity, or of community-of-interests. One of them will make a remark singularly agreeable to the other person—a chance word or phrase that seems to establish a bond between them. Such a remark can cause the knee of the girl to be placed against the knee of the young man. Or, if the two people are in a cab, the turning of a sharp corner will do it. In canoes, the wash from a larger vessel will bring it about. In restaurants and dining-rooms it often takes place under the table, as though by accident. On divans, sofas, settees, couches, davenports, and the like, the slight twist of the young lady’s body incident to receiving a light for her cigarette will cause it… Now, a normal male in whom there are no traces of frigidity will allow his knee to retain its original position, sometimes even exerting a very slight counter-pressure. A frigid male, however, will move is knee away at the first suggestion of contact, denying himself the electric stimulus of love’s first stirring.