Why Is It So Hard to Get Serial Drama Right in 2016?

As TV drama becomes more traditionally novelistic, announcing exactly how long a story is going to take and assuring us that the end of a season will be the End, we can breathe a sigh of relief, because we know that at least one thing we’ve invested our emotions in will set an endpoint and stick to it and let us move on to something else.

This speaks to me. I don’t remember the last show I watched past the third season. I’m sure I’m missing out on many wonderful experiences, but… to each their own. Cf. streaming TV as a new genre.

Why Is It So Hard to Get Serial Drama Right in 2016?

Joe Jonas: My Life As a Jonas Brother

Who knows how much of this is just really good, massaged PR messaging, but still. An interesting look from the inside out.

Joe Jonas: My Life As a Jonas Brother

It’s so intimate, and it’s one of your best friends, this stupid script that you end up living with for seventeen drafts or twenty drafts. […] You’re like, ‘You’re still here?? Can you clean up your shit? You leave it everywhere!’

In Conversation: Steven Soderbergh — Vulture

I loved this long interview.

On the few occasions where I’ve talked to film students, one of the things I stress, in addition to learning your craft, is how you behave as a person. For the most part, our lives are about telling stories. So I ask them, “What are the stories you want people to tell about you?” Because at a certain point, your ability to get a job could turn on the stories people tell about you.

Also:

I was watching one of those iconoclast shows on the Sundance Channel. Jamie Oliver said Paul Smith had told him something he hadn’t understood until very recently: “I’d rather be No. 2 forever than No. 1 for a while.” Just make stuff and don’t agonize over it. Stop worrying about being No. 1. I see a lot of people getting paralyzed by the response to their work, the imagined result. It’s like playing a Jedi mind trick on yourself, and Smith is right. That’s the way I’ve always approached films, the way I approach everything. Just make ’em.

He’s become one of my favorite directors.

In Conversation: Steven Soderbergh — Vulture

Abebe: Why Frank Ocean’s Coming-Out Was Unique

It’s become, I think, a straight American commonplace to want to dignify same-sex relationships by treating them the same way we would heterosexual ones — which means that when someone tells us, for instance, that he’s gay, some of us who are straight might silently assume his relationships are not just as valid as ours but fundamentally the same as ours. As habits go, it’s politically useful and often accurate, but it also means we don’t see much mainstream discussion of the way that figuring out a sexual identity, via any one of the million different paths we all manage it, influences a person’s experience of love itself and the stories they have to tell about how it feels.

Nitsuh Abebe, as thoughtful as ever.

Abebe: Why Frank Ocean’s Coming-Out Was Unique