Upstream Color. This is a special piece of moviemaking. I definitely dig it more than the first time I saw it, and I liked it a lot then. The sound really stood out this time. So much attention to detail. I knew I was going to watch it again, but the urgency increased after Mills wrote about it and then wrote a little more.
Upstream Color. The speculative hook is a strange cycle of events driven by some sort of parasite, I guess. A microbe that seems to enhance empathy or connection in all of its hosts. And you can interpret the rest in about seven million ways. I’m thinking: identity and self-construction. The first half-hour or so, with the thief, is just perfectly tense. Interesting that the personal resolution at the end of the story is misplaced justice. We don’t always know better. Oh, and there’s one scene, when the heroine is waking up, where the image and sound are so well-executed you kinda want to yawn and stretch, too. I didn’t like this one as much as Primer, but I will continue to support and hold out hope for more good, weird movies. Shane Carruth knows his stuff.