Looper. Solid scifi. Just take a nugget of a concept and let it spool out around a handful of people. It makes movie sense in the moment even if it doesn’t later. I love this vision of a possible future. Dystopic, but not totally dire. Just worn out. Good job with the makeup, and especially how Gordon-Levitt takes on some Willis mannerisms. I love Jeff Daniels’ character. There is some violence that a certain demographics won’t take to very well, but I appreciate that he did it anyway, it fit the story, and that it wasn’t over-the-top exploitative. It was sad. I also liked some of the audio editing and they he played with the sound stage. There’s too much leeenns flaaare. But good movie! Rian Johnson knows his craft. Makes me want to watch Brick again.
The Prestige. Themes: obsession, sacrifice, craft, identity, showmanship, revenge, deceit, science as magic, etc. It’s a little mechanical and maybe overstuffed, but always interesting. Hugh Jackman is excellent. I expect viewers would either love or hate the ending, in which the inevitable is delayed while the story is re-told and all is explained. I kinda hate that, but I should have expected as much. I guess that’s Nolan’s own prestige moment? I get really annoyed when you watch a movie and then, near the end, the movie tells you about the story that happened that you didn’t know about. (Yeah, I know I complained about this recently.) Good twists are fine, but they always make me wonder how you could tell the same story in an engaging way while sharing more details with the audience up front. Isn’t it also fun when we know something the other characters don’t?
I’ve now seen all of Christopher Nolan’s feature-length movies. Here’s how they stack up for me right now:
- Memento (with a commanding lead)
- Batman Begins (I’d like to re-watch this soon)
- The Prestige
- Following (tied for third?)
- The Dark Knight