The Lord of the Rings: The Return of the King. The Riders of Rohan are the best. Loved’em in the book. Love’em in the movies. I think they nailed the melodrama in this one. And the build-up to the spider set-piece is pretty great. I still think the song during the closing credits is a huge misfire. Should have gone instrumental!
The Lord of the Rings: The Two Towers. You can see the move ripping at the seams. There’s a lot of story to pack in here. Lots of it feels clipped, rushed, off-kilter. Romances are un-earned. Jarring shifts in tone. Gimli has a lot more to say. Legolas slides on a shield? It’s a mess, but may have the best landscapes of the trilogy.
The Lord of the Rings: The Fellowship of the Ring. Appreciated the soundtrack more this time around. Pretty sure it’s borrowing from Dvorak. Also reminded me of The Last of the Mohicans in mood. Great work with the suspense and setting the sense, and such a great ending. Not a teaser, but a promise of adventure.
The Frighteners. I feel like there’s a very, very good version of this movie lurking beneath the (kooky, stylish) one that actually exists. Good comedy-horror for the most part. The final act is exhausting (seems like many horror movies go awry when they give the villains too much screen time). Jeffrey Combs plays one of the best FBI agents in film history, and man, just imagine: what if – what if – Michael J. Fox had stayed healthy.
Mark Larson 