We Need to Talk About Kevin. It’s grim, but it’s good. Family horror? The cast is solid across the board. I didn’t see the ending coming, and it’s not even a twist. Smart use of color and food and interior design to suggest other details. Score by Jonny Greenwood. And good timing on this one, as it touches on, here and there, the dehumanizing backlash that follows horrific events and how we struggle to make them meaningful when even those who cause them may or may not know why.
When you go to the cinema — the first two or three minutes of any film are amazing. Because the screen is so big. The scale. Directors can pretty much do anything for those first few minutes. It doesn’t matter how many films you see — it’s still kind of a moment.
We had a few complaints that the MP3s of our last record wasn’t encoded at a high enough rate. Some even suggested we should have used FLACs, but if you even know what one of those is, and have strong opinions on them, you’re already lost to the world of high fidelity and have probably spent far too much money on your speaker-stands.
Thom and Jonny and I’m guessing Colin in the background. Looks like they’re on a spaceship.