Panic Room

Panic Room. Nicely constrained in time and space. I like the hints for stuff that comes up in the story later on, little things that foreshadow and reward your attention. Things are often in the frame for a reason.

The Silence of the Lambs

The Silence of the Lambs. Absurdly great movie. Its greatest strength is its exploration of institutional sexism and the constant, relentless challenge of demanding respect and getting her shit done without it. Combines some great slow-burn mystery/thriller tactics with occasional over-the-top violence and just enough sly humor. The pacing and the ties between scenes are brilliant. I also appreciate the small bits of foreshadowing and “warm-up” material (the view from the Belvedere, inkpen, creeper nightvision goggles, etc.) throughout.

Inside Man

Inside Man. I like that you can hear the basic summary (detective vs. bank robber/hostage-taker)… but what you see is a little bit smarter and not as interested in basic genre trappings. On the other hand, it wanders when you might want a little more spark and plausibility. Ebert says it well: “It’s not that the movie is hiding something, but that when it’s revealed, it’s been left sitting too long at room temperature.”