youmightfindyourself:

“In Augusta, to photograph James Brown, these pictures were taken when he suggested we go for a ride. He told me he would show me ‘his town.’ So we jumped into an old car and drove around. He would stop the car when he saw someone sitting in their yard, run up, do the split, yell out, ‘I feel good,’ and jump back in the car and drive off. It was all so spontaneous and hilarious, and it took the onlookers by such surprise. Brown was a fun-loving character and a good sport.” Harry Benson, Photographer

Meadowlark Lemons.: James Brown and Wagner: Tension and Release

patrickswanson:

Not even Reich’s music is as exhilaratingly tense as “Doing it to the Death,” or “The Payback.” Reich’s pieces take long, extended journeys; they are exquisite processes which slowly unfold through time, irreversibly. Brown’s best music never takes a journey: it’s either just where it should be, or tantalizingly close to where it should be.

Strangely enough, I think that ”The Payback” has more in common with Tristan und Isolde than it does with Glass or Reich. It’s all about tension and release.

This whole post is straight-up brilliant.

Meadowlark Lemons.: James Brown and Wagner: Tension and Release