I’m not of the opinion that a film absolutely needs to have a clear moral framework to have worth, but I do believe that making a film is a moral act. Even if the filmmakers pose questions to which they give no answers, the formulation and presentation of the questions themselves are loaded with a moral reasoning.

On The Vexing Moral Murkiness of “Sicario”.

A book exists at the intersection of the author’s subconscious and the reader’s response. An author’s career exists in the same way. A writer worries away at a jumble of thoughts, building them into a device that communicates, but the writer doesn’t know what’s been communicated until it’s possible to see it communicated.

William Gibson. Reminds me of Umberto Eco:

I always assume that a good book is more intelligent than its author. It can say things that the writer is not aware of.

And Montaigne:

An able reader often discovers in other men’s writings perfections beyond those that the author put in or perceived, and lends them richer meanings and aspects.