Disco’s success at capturing glamour and sex as an aesthetic can be frightening — in approximately the same way it’s frightening to watch the world do similar things to weddings, turning them into sites of glittery yearning where one’s sense of self and love turns strangely prop-filled and expensive. This seems like one of the more-flattering reasons why rock fans treated disco with so much hostility: It’s a puritan’s gut instinct that there’s something dangerous about a sex-and-glamour bubble floating too exuberantly beyond the realm of reality, becoming too stylized and commercial. And of course straight, white, male rock fans were the ones who’d feel that fear and loathing most strongly: They’d have been the listeners with the least to gain from actively reimagining love, sex, and glamour. Disco claimed the audience with the most critical stake in reframing those things — gay, black, female, and Latino listeners chief among them.
The Last Days of Disco: Abebe Remembers Donna Summer and Robin Gibb
The music we spend our private time on, and use to build our identities, varies more wildly than ever from person to person. But there’s at least one kind of music that needs consensus to function, and that’s the stuff we dance, party, and strut around to. “The club” might be the last remaining space where strangers are all forced to pay attention to the same songs. And whether it’s an actual club or just a bedroom, it tends to be a space where people enjoy feeling fabulous.
Cf. Norman Lebrecht.
We Must Be Superstars – New York Magazine
It’s worth clicking this link just to see the video.
“The head, neck and upper body come out as the key features that are important for good dancing and that surprised us.” (via)
Scientists identify moves that make men irresistible on the dancefloor
This whole article is great. (via)
The largest degree of satisfaction can be found in girls under the age of 16. “They see dance as something fun, not as part of mating behavior,” says Lovatt. That changes around the age of 16. “Between 16 and 20, dance confidence among girls falls markedly,” says Lovatt. “Girls begin to see dance as a social act rather than a way of expressing themselves. They begin to worry about how they look and start searching for a boyfriend.”
But once young women have come to terms with their lost dancing innocence, the satisfaction ratings start rising again. From the age of 20 onwards, their opinion of their own dance floor competence starts to improve and keeps increasing until the age of 35. After that it hits a plateau, however, as satisfaction levels stagnate. From 55 onwards, the value even drops. “That coincides with the menopause,” says Lovatt. And it doesn’t get any better: “Dance confidence remains low for the rest of a woman’s life.”
The pattern is somewhat different among men. Their dance confidence levels keep rising until the mid 30s. It then stagnates before starting to sink from the age of 55 onwards. But then, surprisingly, men get a second wind. From 65 on, they start to once again see themselves as pretty smooth operators on the dance floor.
Sexual Politics of Dancing: The Secrets of Looking Good on the Dance Floor
Ann Margret and Elvis circa Viva Las Vegas.