In “Collateral Beauty” and “Passengers,” Two Tales of Gaslighting – The New Yorker

Fantasy, even when it’s rooted in practical details and doesn’t involve any metaphysical impossibilities, is the hardest genre to pull off, for the simple reason that life is interesting. A drama or a comedy that sticks close to experience has the intrinsic virtue of documentary—and, as with documentary itself, less is usually more.

In “Collateral Beauty” and “Passengers,” Two Tales of Gaslighting – The New Yorker