An excellent interview in many respects. I like this bit:
How do you avoid cliche when you’ve already done so many shows?
We try to undermine whatever it was that worked last week. We deliberately set up difficult things to do. Using new lenses, constantly experimenting with new equipment to give it a more cinematic look — letterboxes, widescreen, gyros, cheap do-it-yourself kind of innovation. The editing styles. We think about movies that we loved that have been shot in this area that we might try to rip off. In the case in Rome, we’re going to do the whole thing in black and white, and in letterbox. Can we do really gorgeous food porn in black and white? It’s never been done.